My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

field notes

News, essays, reviews, surveillance

Algorithmic Art Assembly

I'll be giving a talk at this two-day event in San Francisco on March 22

My friend Thorsten Sideb0ard is hosting Algorithmic Art Assembly, a new event in San Francisco on March 22nd and 23rd this year, “focused on algorithmic tools and processes.” I’ll be doing a little talk on the 22nd, which is a Friday.

Speakers include: Windy Chien, Jon Leidecker (aka Wobbly), Julia Litman-Cleper, Adam Roberts (Google Magenta), Olivia Jack; Mark Fell (a Q&A), Spacefiller, Elizabeth Wilson, M Eiffler, Adam Florin, Yotam Mann & Sarah Rothberg — and me. Performances include: Kindohm, Algobabez, Renick Bell, Spatial, Digital Selves, Wobbly, Can Ince; Mark Fell, W00dy, TVO, Shatter Pattern, William Fields, Sebastian Camens, Spednar. Here’s a bit more from the website, aaassembly.org:

Algorithmic Art Assembly is a brand new two day conference and music festival, showcasing a diverse range of artists who are using algorithmic tools and processes in their works. From live coding visuals and music at algoraves, to virtual reality, gaming, augmented tooling, generative music composition, or knot tying, this event celebrates artists abusing algorithms for the aesthetics.

Daytime talks will present speakers introducing and demonstrating their art, in an informal and relaxed setting, (very much inspired by Dorkbot).

Each day will feature one workshop in an intimate setting, creating an opportunity for you to learn how to create live coded music using two of the main platforms, SuperCollider and TidalCycles. Workshops are limited in space, with reservation required – details to come.

Evening performances will be heavily based upon the algorave format, in which the dancefloor is accompanied by a look behind the veil, with several artists projecting a livestream of their code on screen. Performers will play energetic sets back to back, with minimal switch-over time.”

It was a new year, so I cleaned up my bio a bit. Here’s how it reads currently:

Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects that explore creative constraints. A former editor of Tower Records’ music magazines, Weidenbaum is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II, and has written for Nature, Boing Boing, Pitchfork, Downbeat, NewMusicBox, Art Practical, The Atlantic online, and numerous other periodicals. Weidenbaum’s sonic consultancy has ranged from mobile GPS apps to coffee-shop sound design, comics editing for Red Bull Music Academy, and music supervision for two films (the documentary The Children Next Door, scored by Taylor Deupree, and the science fiction short Youth, scored by Marcus Fischer). Weidenbaum has exhibited sound art at galleries in Dubai, Los Angeles, and Manhattan, as well as at the San Jose Museum of Art, and teaches a course on the role of sound in branding at the Academy of Art University in San Francisco. Weidenbaum has commissioned and curated sound/music projects that have featured original works by Kate Carr, Marielle V Jakobsons, John Kannenberg, Steve Roden, Scanner, Roddy Schrock, Robert Thomas, and Stephen Vitiello, among many others. Raised in New York, Weidenbaum lives in San Francisco.

More on the Algorithmic Art Assembly at aaassembly.org. The event will take place, both days, at Gray Area Foundation for the Arts grayarea.org.

Tags: , , / Leave a comment ]

Physical Modeling

Thinking ahead to 2019

Last month marked the 22nd anniversary of this website, and last week marked the 7th anniversary of the Disquiet Junto. After a lot of virtual time, I’m thinking about physical objects.

Tag: / Comments: 2 ]

Music Changed Weekly

Entering 2019 ...

Happy new year, everyone. I spent the last day of 2018 at the Musée Mécanique (museemecaniquesf.com) here in San Francisco, looking back toward various pasts of technology (sonic and adjacent) before we moved ahead. “Music Changed Weekly” — I especially appreciated the formulation of the text on this keyboard-less player piano. In its heyday, the phrase read like an assurance, a promise, whereas today it reads like a past-tense depiction of a distant era. All of which is to say, my extended social-media break is over, and I’m looking forward to this new year.

Tag: / Leave a comment ]

Ambient Yule Log

An Unsilent Night you can let unspool at home

Just this past Saturday night I participated in the annual caroling event known as Unsilent Night. Created by composer Phil Kline for a downtown Manhattan performance back in 1992, the work now occurs in numerous cities all around the globe. More than 40 Unsilent Nights are scheduled this year, according to the list at unsilentnight.com. Here in San Francisco, it’s been running annually since 2002 (one year prior to my moving back after four years in New Orleans).

How Unsilent Night functions is as follows. Kline created four complementary ambient-chamber compositions, which collectively comprise the work. Everyone who showed up for Unsilent Night with a boombox used to be handed a cassette tape with a random one of the four parts. At the appointed moment, everyone would hit play, and the various tracks, all slightly out of sync, and resounding from devices of varying sound quality, would produce a kind of robot choir.

Now, in the age of ubiquitous audio equipment, people can use cassettes, but more likely they’ve download one of the tracks to their phones. The underlying concept of Unsilent Night remains the same. If anything has changed in the decades since Unsilent Night began it is (1) the fidelity of the recordings has increased and (2) the procession begins and ends with the ceremonious sound of Bluetooth speakers engaging and disengaging.

All of which came to mind when the excellent Burbank, California, music equipment shop Perfect Circuit posted a video yesterday of the seasonal audio installation currently running in its showroom. What it is is a bunch of boomboxes with droning, glistening loops of varying lengths. The video runs for 15 minutes, occasionally focusing in on a bit of motion, like a reel spinning slowly, or a counter ticking up one digit after another. If it weren’t for the company’s sonic logo at the video’s opening, it would be eminently loopable, an ambient Yule log.

This is the latest video I’ve added to my YouTube playlist of recommended live performances of ambient music. Video originally published at YouTube.

Tags: , , / Leave a comment ]

A Rorschach of Extended Abstraction

A liminal drone by Szymon Kaliski

There are drones, and they are varied, and amid those drones are drones that are something else in disguise. Sometimes that something else is a trick of the ear, a figment surfacing in the sonic Rorschach test of extended abstraction. Sometimes it’s something buried just below the surface. If ambient music inherently explores the liminal, presenting a still surface that suggests untold action underneath, then a track like Szymon Kaliski’s superb “2018-12-13” plays with the ear by introducing elements hinting at a more formal music that never comes into focus. The piece opens with a dense drone, like the start of Simon and Garfunkel’s “El Condor Pasa” but pitched down an octave and left to loop seamlessly. The saddest sound, indeed, it progresses by not progressing, by instead gathering its hidden depths only so much that a glimpse of what might be a piano or an orchestra appears underneath. That such extremes might be confused for each other is a clue to the intensity of Kaliski’s stillness.

Track originally posted at soundcloud.com/szymonkaliski. More from Kaliski, who is from Poznań, Poland, at szymonkaliski.com.

Tag: / Leave a comment ]