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Ambient Classical (MP3)

Deeply echoed piano by Madeleine Cocolas

20130628-mc52weeks “I’m beginning to feel like this blog should be called 52 months at the rate I’m going,” writes composer Madeleine Cocolas. She is commenting on the status of a projected series of 52 weekly projects throughout 2013. She is also being a little unkind to herself, a little disingenuous, since as of the final week of June her effort has yielded 20 of the 26 pieces she might have completed by now. That is a fairly solid accomplishment.

Cocolas was born in Australia and lives in Seattle (where the above photo was shot by her). Her “Week 20 Project” is tagged “ambient classical,” a fitting association. It’s an elegant work, a spare piano line lingering amid a deep echoing space, shimmering shards heard deep in the background. In time the space between shard and piano is filled with an additional line, a deep swell of sound that gently nudges past the elegiac stasis of repetition toward something more melodic, if waveringly so.

She writes, in part, of the piece:

For my Week Twenty Project, I again trawled through the old hardrive I told you about a few weeks ago and found a little piano loop I wrote back in 2005 that I’ve incorporated into this weeks’ project. It’s the repetitive piano background that starts the piece off and plays throughout. I’ve also got it playing in reverse through the piece as well.

Around the 45 second mark I’ve added some more piano and some bass clarinet (a stunning instrument that I really haven’t delved into properly yet). I think the result is a pretty calming and tranquil peace that is also hopefully filled with gentle optimism.

Track originally posted for free download atsoundcloud.com/madeleine-cocolas. More from Cocolas at madeleinecocolas.blogspot.com, where she is documenting her 52-week project.

By Marc Weidenbaum

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  • By Is It Solo Piano When There Is Noise? on January 24, 2014 at 9:04 pm

    […] The framing material is alternately sheer and grating, a haze of static, a thick brush through which the piano, slow and steady, occasionally makes itself heard — first some tentative notes, then a hint of a melody, then a sour note to emphasize that all is still not well. The development is not restricted to that solo piano. First of all, it’s odd to think of it as solo piano, since there is so much more going on in the track, but everything else is a noise so primal it seems to come from some other plane. Yet that noise also changes as time passes, the volume and the brittle metallic intensity rising and falling in waves. This is “Week Twenty Nine Project” of Madeleine Cocolas’ ongoing attempt to write an original piece of music each week, last mentioned here in June 2013. […]

  • […] Yet that noise also changes as time passes, the volume and the brittle metallic intensity rising and falling in waves. This is “Week 20 Nine Project” of Madeleine Cocolas’ ongoing attempt to write an original piece of music each week, last mentioned here in June 2013. […]

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