Orbital‘s The Middle of Nowhere (London/ffrr) opens like nothing other than some forgotten, early-’80s Philip Glass opera: a mid-tempo orchestral panorama of controlled bombast below a soaring synthesizer accent. A full minute passes before a functional drum beat arrives, signaling that the rave circus has, indeed, come to town. What follows is such an idiosyncratic mix of sounds (a caged diva, swaths of exotica, a multitude of what can only be described as sci-fi effects) that the listener will have difficulty keeping track without a checklist. The hour-long, eight-track record continues in that fashion. Orbital’s Paul Hartnolls has commented on the barrage, saying, “It’d be bloody difficult to play at a cocktail party.” Best to just settle back and observe the passing throng, or join in. This is techno at its most flamboyant and worldly. Even private moments, like the delicate fissures of static that comprise the prelude to “Know Where to Run,” eventually transform into party anthems. Only a standard issue vocal track, “Nothing Left Part 2,” truly disappoints.
Current Activities
Upcoming
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.Dates TBA
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
• 0451 / Ursula's Silences / Make music inspired by a line from A Wizard of Earthsea.Full Index
And there is a complete list of past projects, 455 consecutive weeks to date.