Orbital‘s The Middle of Nowhere (London/ffrr) opens like nothing other than some forgotten, early-’80s Philip Glass opera: a mid-tempo orchestral panorama of controlled bombast below a soaring synthesizer accent. A full minute passes before a functional drum beat arrives, signaling that the rave circus has, indeed, come to town. What follows is such an idiosyncratic mix of sounds (a caged diva, swaths of exotica, a multitude of what can only be described as sci-fi effects) that the listener will have difficulty keeping track without a checklist. The hour-long, eight-track record continues in that fashion. Orbital’s Paul Hartnolls has commented on the barrage, saying, “It’d be bloody difficult to play at a cocktail party.” Best to just settle back and observe the passing throng, or join in. This is techno at its most flamboyant and worldly. Even private moments, like the delicate fissures of static that comprise the prelude to “Know Where to Run,” eventually transform into party anthems. Only a standard issue vocal track, “Nothing Left Part 2,” truly disappoints.
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about
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Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
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Current Activities
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Upcoming
• December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
• January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community. -
Recent
• April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
• March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
• December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
• January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
• December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.) -
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• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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disquiet junto
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Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Recent Projects -
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• 0543 / Technique Check / The Assignment: Share a tip from your method toolbox.
• 0542 / 2600 Club / The Assignment: Make some phreaking music.
• 0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
• 0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.
• 0539 / Control Breath / The Assignment: Let your slow breathing guide a piece of music. -
Full Index
And there is a complete list of past projects, 543 consecutive weeks to date. Archives
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