New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Worth Getting Lost In

Like perfume, ambient music comes in lots of different flavors, and it isn’t always as subtle as its fans might imagine. On Fade (Austere), Austere paints quiet music with broad strokes — singular, thick swells that can sound like giant steamships passing overhead, albeit muted by a thick ceiling and, no doubt, a pillow or two. The result here is much more corporeal than the group’s packaging suggests (all white, with barely legible typography), but that physicality is very much in the music’s favor. This is immersive stuff, ranging from vast expanses of sound to something closer in timbre to a digital didjeridu. The last track on Fade experiments with near-intelligible vocal samples, and the result is especially haunting. Worth getting lost in.

By Marc Weidenbaum

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