By no means an “electronic” composer, Erik Satie (1866-1925) remains essential listening in this area, owing to his clairvoyant modernity, which often emphasized a philosophical repose, and his musical writings, which championed the value of background music. Pianist France Clidat‘s three-CD Complete Piano Works (Astoria) has little aside from its comprehensiveness to recommend it, but that’s enough. The minimal liner notes are sentimental and fluffy and individual CDs peculiarly opt to combine many of Satie’s multi-piece works, notably the three-part “Gymnopedies,” into a single track. Of particular interest to electronic-minded listeners are his “Descriptions automatiques,” which deserve consideration as a predecessor of the remix. Per Satie biographer James Harding: the piece opens “with ‘Sur un vaisseau’ which, in its stylized representation of a ship pitching and tossing, adopts an ‘automatic’ rhythm. … Against this rocking of the boat a popular refrain cuts in, ‘Maman les p’tits bateaux … ont-ils des jambes?’ which he would have remembered from his seaside childhood.” Just to get this straight: a sample of a pre-existing song is set over a mechanical rhythm. Voila, the remix.
Current Activities
Upcoming
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.Dates TBA
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
• 0451 / Ursula's Silences / Make music inspired by a line from A Wizard of Earthsea.Full Index
And there is a complete list of past projects, 455 consecutive weeks to date.