New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

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Three Post-Rock MP3s

The act Run Return has three free tracks on its website, two examples of post-rock folk-chamber music with a pop touch, and one unapologetic pop ditty. The pleasure in “Thoughts Broken by Footsteps” isn’t merely how the acoustic guitar, plucked slightly off the mark, splits with the metronomic shuffle of the underlying machine beat, but how the beat itself is upset by the merest of microsonic impulses, little fissures that tweak the pattern ever so slightly, making the piece far more than a standard act of analog/digital contrast. Another track, “Tributary,” trades one such acoustic element for another: in the place of guitar we have a lightly bowed instrument, likely violin, its tender physicality — the raw feel that is the distant dream of digital texture-mappers everywhere — set against the tight harmony of electronic pulses, which after a short while are girded with what sounds like an actual drum kit; a later mallet part, inevitably, brings to mind Tortoise’s gamelan-like moire patterns, as canned orchestration (perhaps that original violin, now multiplied digitally) hovers lushly in the background. A fissure-like sound serves as the retro-1980s drum pattern on “Yah, Chilly,” with its analog-synth melisma of a melody, all goofy-sad electronic new wave, at best a gothy pop melodrama; of the three tracks, it’s the only one worth even considering bypassing. “Thoughts Broken” and “Tributary” are both must-hears. All available at runreturn.com.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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