The second track on the new Tigrics EP, Mint Egy Befejezono (Highpoint Lowlife), moves with some speed from a treated field recording of a train, with its locomotive rhythm, to something syrupy, in which mechanized drums keep slipping up, like a maudlin robot caretaker stuck in some glutinous murk (MP3). The whole set, six tracks in all, is a marvel of rhythmic ingenuity, from the hyper opening track (“He, Jelfej!”), which initially appears almost dismissible, just a blur of blippy colors, until its utter coherence, worthy of Underworld on a particularly good day, makes itself evident (MP3). “Aztan Varosokban Ebredtem” (MP3) may appear pure gauze in comparison with the EP’s more foot-forward entries, but it’s a metrical achievement nonetheless, especially how a woman’s voice, the rare vocal element in this otherwise all-digital affair, is edited to continuously move one syllable forward and two back. Vocals appear again, briefly, on “Kossuth Lajos Tca mix,” minced to blipvert-length beatboxing (MP3). Tigrics is the pseudonym for Robert Bereznyei, based out of Budapest, Hungary. Mint Egy Befejezono, the 14th download release from Highpoint, will be followed by a full-length album later this year. Get Mint Egy Befejezono as a download, for free, at highpointlowlife.com.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0479 / Truck Radio Rain / The Assignment: Locate three sound sources and make something with them.
• 0478 / Collage of Collages / The Assignment: Make a collage that will become part of a larger collage.
• 0477 / Flying Blind / The Assignment: Record a piece of music in which some substantial portion is performed without looking.
• 0476 / IAH Forecast / The Assignment: Here's your next single's cover. Now record it.
• 0475 / Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts.
And there is a complete list of past projects, 479 consecutive weeks to date.
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