New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

System-Hum MP3s

Musician Jose Maria Rodrigo pilots his drone-based electronic music onto your headphones like someone bringing a massive starship in slow and steady. “Industria Proxima,” off his July 10 Montgo netlabel release, Por Debajo de las Cosas Ordinarias, opens with an underlying murmur, the sound of a sizable object some distance away. While it blossoms, a distant rumble gaining proximity, the foreground comes alive with small activities, little curlicues of electronic chores, sounding like routine protocol checks monitored by semi-sentient, whimsically efficient autobots. The result is the sound design for a quotidian Pixar short about life on a space station. The album opens with “Presencia Humana,” all garbled communication amid more of that starship systems hum. All of the tracks provide the ambience of deep industrial activity. Or, as Rodrigo told Montogo: “In my work as sound technician I have often been paying my total mental-sensorial attention to landscapes or sound objects that a priori seemed empty or insignificant and discovering in them a rare beauty.” The sole exception to Por Debajo‘s extreme remoteness is the electric piano that appears, briefly, on “Presencia Superior”; jarring amid the otherwise mechanistic terrain, it’s like some memory shard of past human interaction. More info at montgorecords.com.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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