Each of the six tracks on Gate Zero‘s 6 Rooms is intended to suggest a different space, among them a living room, a kitchen and an illusory locale on the Star Trek holodek. The experiment is an interesting idea, though no one would cry foul if all the tracks on 6 Rooms had simply been labeled “lounge.” They all have a steady beat (one occasionally reminiscent of Marvin Gaye’s “Sexual Healing”), a pricey-casual feel and a moody flavor. The standout, inevitably, is the one intended to serve as a cellar — inevitably because the close confines seem to have restricted Gate Zero’s palette, and less is almost always more. The “cellar” track (MP3) is less frilly, less lush than the album’s other five. There’s more space between the beats, space that allows the background sounds, light puffs of circulating white noise, to make themselves heard. In the album’s liner notes we’re reminded, “A cellar is intended to remain at a constant cool (not freezing) temperature all year round.” And, true to form, the six-minute track is constantly cool. More on Gate Zero (aka Stefan Biermann) at his homepage, gatezero-music.de, and at the netlabel that released 6 Rooms, stadtgruenlabel.net.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• Autumn, 2019: I'll have a new piece in The Wire.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• March 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0410 / Op Audio / The Assignment: What does the sonic equivalent of Op Art sound like?
• 0409 / Spooky 3.0 / The Assignment: Raise haunting music to the next level.
• 0408 / Fritiniency Tronics / The Assignment: Were "fritiniency" ("the chirruping sound made by birds or insects") a musical genre or technique, what would it sound like?
• 0407 / Dark Pitch / The Assignment: What do you hear between stations on the radio dial during a drive in the middle of night?
• 0406 / Phoneme Home / The Assignment: After a visit to Yellowstone National Park, you send a sonic report back to your planet of origin.
And there is a complete list of past projects, 409 consecutive weeks to date.
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