New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Insectoid MP3s

Machines may not yet have gained sentience, but in Paul Feyertag‘s work they certainly achieve an insectoid fervor. The opening track on Suburban Decollage, “Contrary Motion,” suggests a nightmarish scenario of constant death in the classic arcade game Centipede, whose familiar 8-bit synthetic tones were as chunky and mechanoid as the avatars to whose battles they lent a soundtrack (MP3). The later “Ostinato” has a thick overlay of burbling noise, but just below is a quickly shifting hive of activity (MP3). Of the four tracks on Suburban Decollage, the real keeper is “Drone/Musing,” which in headphones can come across as a tinny prickle of static, but which when played on proper speakers evidences Feyertag’s attention to minute details; shards of harsh noise spring from the bristling quietude (MP3), even if no further insect metaphors apply. The album is the latest free download from the Luvsound netlabel (luvsound.org).

By Marc Weidenbaum

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