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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Early Tamara Albaitis MP3

How does one pronounce the given name of sound artist Tamara Albaitis? Well, the answer is buried in the audio of one of her early works, in which she recorded herself saying her name three different ways and then mixed and matched the various pronunciations (MP3). There’s the correct way — “TAM-ara” — and two common but mistaken ways: “tam-era,” “tam-ARA.” As she explains in a brief description of the track, “I also included ‘ahh’s’ and ‘no’s!’ which is normally my response to their attempts.”

Albaitis is perhaps best known for her scupltural work, which often involves speakers, such as the one pictured here, the seven-speaker “Drop” (2007), which included a four-minute soundtrack and brings to mind the spidery forms of Louise Bourgeois:

As for the earlier, auto-biographical sound work, which dates from 2002, it focuses on audio at a syllable-by-syllable level, contrasting various content, from fly-buzz syllables to recognizable words and word fragments, with small amounts of post-recording transformations, like stereo play and effects that emphasize the electronic nature of the process. More on Albaitis at her website,

By Marc Weidenbaum

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