New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Field (Recording) Trip MP3

When a musician interrupts the flow of posted songs on SoundCloud to introduce a simple field recording, the question is one of intent. Is the real-world sound intended as a pause, as a reflection, as a palette-cleanser?

This is the situation with Devin Underwood (aka Spectra Ciera), who makes his music freely available at To at least one of Underwood’s listeners, the intent had more to do with a revelation regarding influence and aesthetic: “This track explains your dub tracks like no words could,” wrote a fellow SoundCloud homesteader, referring to the deep dubby tracks that Underwood has posted. “Great little moment captured.”

The track in question is titled, simply, “Rain in the Attic,” and that is, presumably, exactly what it is:

It’s a field recording of a cozy confine during particularly sonorous inclement weather. Of course, one cannot only listen to the rain. For one thing, we don’t really listen to rain; we listen to what it sounds like when the rain hits something, in this case the roof, perhaps a windowsill. We also listen through rain, in this case to what seems to be a passing plane. That plane is, I imagine, the “little moment” mentioned above, when the sound of the rain becomes a captured instance. That moment-ness (very different from, really the opposite of, momentousness) is what makes Underwood’s track a composition: the conscious framing of sound, the recognition of a special congruity of real-world variables. Great photographers frame with their lens, and that is the procedural equivalent to exactly what Underwood has accomplished here.

More on Underwood at,, and, as well as at, the website of a duo of which Underwood is one half.

By Marc Weidenbaum

Tags: , / Comments: 2 ]


  1. Devin
    [ Posted April 21, 2010, at 10:29 pm ]

    Wow!…….I’m speechless. Thank you SO much for your kind words. I’m beyond happy the recording was heard by many others. The sounds were so relaxing, I felt I had to share it.

    Thank you for sharing it as well. :)

  2. marc
    [ Posted April 22, 2010, at 7:02 am ]

    devin’s work is always a joy to experience. thanks for sharing it with everyone.

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  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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