Ambient Noise (MP3s)

Layers of sonic texture by Black Thread

20130315-blackthread

Reportedly the blissful white noise of *Fragrant Hoof Carvings* by **Black Thread** is the result of layers of simultaneously played cassette tapes. It has the slurry, effluvia-laden richness of the world seen on a gray day through smudged glass from a high building. A lot of ambient music can sound like the sonic equivalent of store-bought vellum. Far better than that, this is the sonic equivalent of threadbare, dirty sheets hung out to dry and moving in the intermittent breeze. Thoughts will turn to the disintegrating loops of William Basinski, and that’s a useful comparison, but this is something apart from that, with its own textures and rhythms. The collection’s three tracks are best experienced as a set due to how they comment on each other. The title track, for example, is tenderly abrasive in a manner that helps the opening cut, “Orchid’s Inky Vapor,” get its due for its subtlety by comparison.

Get them at “name your price” at [turmericmagnitudes.bandcamp.com](http://turmericmagnitudes.bandcamp.com/). Thanks to [Matt Davignon](http://www.ribosomemusic.com/) for the recommendation.

Disquiet Junto Project 0063: Gregorian-orian-ian

The Assignment: Make a new piece of music based on an echo-laden re-recording of Gregorian chant.

20130314-abbey

*Each Thursday at [the Disquiet Junto group on Soundcloud.com](http://soundcloud.com/groups/disquiet-junto/tracks) a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just [join and participate](http://soundcloud.com/groups/disquiet-junto/tracks).*

This assignment was made in the mid-afternoon, California time, on Thursday, March 14, with 11:59pm on the following Monday, March 18, 2013, as the deadline.

These are the instructions that went out to the group’s email list (at [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)):

>Disquiet Junto Project 0063: Gregorian-orian-ian
>
>This week’s project involves the role of architectural spaces in the composition of music. It is a shared-sample project that takes a piece of Gregorian chant as its source material.
>
>These are the steps:
>
>Step 1: Download this OGG audio file that contains a recording of monks singing Gregorian chant at the Abbey of Sant’Antimo in Italy:
>
>http://upload.wikimedia.org/wikipedia/commons/7/7b/Sanantimo_gregorian.ogg
>
>Step 2: Play back that recording loudly in a highly reverberant space and record it. Your best bet may be a bathroom.
>
>Step 3: Create a new piece of music using the recording you just made as your primary source material. You cannot add any new source material. You can manipulate the audio recording as you please, but restrict yourself to effects that simulate echo, such as delay, reverb, and looping. You may also use the original OGG file, but only in addition to your own recording of it being played back in the reverberant space.
>
>Background: For additional thinking on the role that architecture has played in the evolution of music, this 2010 talk by David Byrne is recommended:
>
>http://blog.ted.com/2010/06/11/how_architectur/
>
>Deadline: Monday, March 18, 2013, at 11:59pm wherever you are.
>
>Length: Your finished work should be between 1 and 4 minutes in length.
>
>Information: Please when posting your track on SoundCloud, include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.
>
>Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0063-gregorianorianian”in the title of your track, and as a tag for your track.
>
>Download: Consider setting your track in a manner that allows for attributed, commerce-free remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
>
>Linking: When posting the track, be sure to include this information:
>
>More on this 63th Disquiet Junto project at:
>
>https://disquiet.com/2013/03/14/disquiet0063-gregorianorianian
>
>More details on the Disquiet Junto at:
>
>http://soundcloud.com/groups/disquiet-junto/
>
>The source of this piece is a recording of monks singing Gregorian chant at the Abbey of Sant’Antimo in Italy:
>
>http://commons.wikimedia.org/wiki/File:Sanantimo_gregorian.ogg

The image of the Abbey is from [wikimedia.org](http://commons.wikimedia.org/wiki/Abbazia_di_Sant%27Antimo).

RIP, Reader?

I'm more concerned about the future of RSS.

20130314-rssGoogle Reader, the great RSS service, is shutting down, it was [announced yesterday](http://googlereader.blogspot.com/2013/03/powering-down-google-reader.html) by Google. I don’t think there is a single web site or service or, on Android, a mobile app that I have spent as much time in as Google Reader, and I can’t really do justice to how essential Reader has been in the collating of material that has, subsequently, appeared on Disquiet.com and in my writing and projects elsewhere. At times people would ask where I’m going on vacation and I’d say, “Google Reader.”

My friend Rob Walker over at [Yahoo! News](http://news.yahoo.com/so-google-reader-is-dead–now-pull-yourself-together–142103839.html) agrees with the hopeful assertion of Marco Arment (Tumblr, Instapaper, *The Magazine*) that Reader’s end will inspire alternate services, yet I am anxious that the end of Reader will allow short-sighted product managers to ditch RSS from current and future websites. RSS to me is one of the key defining characteristics of the music phenomenon known as the netlabel. In allowing for easy redistribution of material, it is, to me, the very pavement of the Creative Commons, as I touched on in my 2011 list of [proposals to new netlabels](https://disquiet.com/2011/04/11/if-youre-thinking-of-starting-a-netlabel/).

I’ve been looking around this past half day or so at alternatives. [Feedly.com](http://feedly.com) is quite lovely and has both an app and a web service, but the absence of an automated alphabetized view is confusing — not just confusing to navigate, but confusing in its absence; based on initial experience, it feels like one of those semi-belligerent UI/UX moves such as Gmail’s initial lack of a delete button, or OS X Mountain Lion’s version of TextEdit.app, in which the unchangeable default when creating a new file is to save it not to your computer but to iCloud. If you find Feedly promising, as I do, and want to promote the implementation of an alphabetal view, [this appears to be where](http://feedly.uservoice.com/forums/192636-suggestions/suggestions/3744277-option-to-alphabetize-your-feed-categories-your) you can [vote it up](http://feedly.uservoice.com/forums/192636-suggestions/suggestions/3744277-option-to-alphabetize-your-feed-categories-your). The Feedly app, at least on Android, feels more like a design portfolio piece than a reader-oriented service, but it’s still promising. And it does appear that you can move feed-grouping order around to achieve alphatetization in the Organize tab or just in the left-column view (on the web, not in the app), but that is time-consuming, and why it’s not automated is unclear. At a buck a month, [newsblur.com](http://newsblur.com) seems reasonable, but I’m just beginning to understand its UI eccentricities. A lot of folks have recommended [theoldreader.com](http://theoldreader.com); a reader service without an Android app would be a stretch for me, but I’m not entirely against it.

There’s a [petition](https://www.change.org/petitions/google-keep-google-reader-running?utm_campaign=action_box&utm_medium=twitter&utm_source=share_petition) to save Google Reader at [change.org](https://www.change.org/petitions/google-keep-google-reader-running?utm_campaign=action_box&utm_medium=twitter&utm_source=share_petition) that [I have signed](https://www.change.org/users/44119457). I also signed the one at [keepgooglereader.com](http://keepgooglereader.com/). This is what I wrote at both those sites:

>RSS is among the key sources of my research. It may not be valuable for casual reading, but it is essential for information gathering. And information gathering is the basis of much that is published, including casual reading. I understand it may not have caught on with the vast majority, but the vast majority is a worthless threshold to employ as a gauge of utility. I didn’t ask you to save Wave, and I didn’t ask you to save iGoogle. I am asking you to save Reader.

As we await the potential pardon, suggestions appreciated for alternate services in addition to the ones listed above.

#SoundCloud #guestblog #audiobio

Watching a music site become about more than music

20130314-audiobio

Earlier this week I guestblogged over at [soundcloud.com](https://blog.soundcloud.com/2013/03/13/audiobio-roundup-4/) about the site’s ongoing audiobio(graphy) project: [“Hello Heroes: Audiobiography #4: Auto-Podcast, Song-Navelgazing, Clown Memories, and More.”](https://blog.soundcloud.com/2013/03/13/audiobio-roundup-4/) I highly encourage people to record one.

>When we set out to create the [#Audiobio](http://blog.soundcloud.com/2013/02/06/audiobiography/) project, the goal was to connect listeners with the musicians and sound creators they listen to. Anyone who has had a phone call, or met up face to face with someone they had only previously corresponded with online knows the power that hearing someone’s voice can have — not just at that moment, but in all subsequent communications between them.
>
>The idea of #audiobio is that by hearing the voices of the people whose music and sound we admire, we’ll have a deeper sense of connection to them when we hear more of their work in the future — not just because of what they say (the story of their lives, the goals of their art, and so forth) but how they say it: their voice, their intonation, their temperament.
>
>Audiobiographies will be shared every week so post yours to be featured. All languages are welcome to participate. You can find translations of how to get involved in more than 8 languages [here](http://blog.soundcloud.com/2013/02/06/audiobiography/). Here’s round-up #4 from this past week. See all past recaps [here](https://blog.soundcloud.com/tag/audiobiography/).

In the process I singled out four great recent entries, including [a guy who does a podcast about himself](https://soundcloud.com/gettingbetteracquainted/audiobiography-getting-better) (“There are lots of shows about famous people,”he says. “This is a show about the rest of us.”) and a woman who thought about her earliest sound memories and came up with [clowns](https://soundcloud.com/liz-massey/audiobiography-liz-massey).

The audiobio(graphy) project grew out of the SoundCloud Heroes program, which I am happy to have been invited to participate in. The SoundCloud-wide audiobio(graphy) project was the impetus for [the 60th Disquiet Junto project](https://disquiet.com/2013/02/21/disquiet0060-audiobio/).

Signal Tapper (MP3)

Lifelike emanations amid the very low frequencies, by Dan Tapper

20130313-dantapper

The latest from the excellent Chicago-based broadcast/podcast Radius may be its most quiet yet. “Recording the Spirit Level” is **Dan Tapper**’s excursion into “very low frequency”” (VLF) signals. As the site explains:

>These signals are generated through electromagnetic fluctuations, or changes in magnetic signals produced naturally by the ionosphere, including lightning strikes and the Aurora Borealis. Collected using a homemade loop inductor, the raw magnetic sounds collide with interference produced by man-made technology to illustrate the relationship between humanity and the natural world.

The result is more akin to the soundscape of remote pond life than to an industrial grid, or perhaps more to the point a shallow pond near a single whirring electrical post. It’s all light glitching, amphibious burps, amid a low-level hum of nuanced communications effluvia.

http://soundcloud.com/radius-16/episode-37

The great things about listening to Radius, which is organized by Jeff Kolar, is the way each project provides a different aspect of the myriad ways that radio signals can provide the starting point, rather than merely a means to transmit, artistic practice.

Episode originally posted for free download at [theradius.us/episode37](http://theradius.us/episode37). More from Dan Tapper at [magneticsignals.tumblr.com](http://magneticsignals.tumblr.com/).