My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Making Abstraction Engaging

When is a podcast not a podcast?

I’ve been thinking for a long time to make a Disquiet.com podcast, and I’m still intent on doing it, but not quite yet. I even have the theme music in the can, thanks to a regular participant of the Disquiet Junto project series, but I’m still fiddling with the format, and I want to make sure I have the time to do it regularly. I may wait until after this semester is over, since I’m already dedicating time each week to creating 2,000-word summaries of each lecture in my “role of sound in the media landscape” course, and sending those to my tinyletter.com/disquiet email list.

What’s been on my mind lately has been how best to frame the abstract work I’m often up to in sound, so that it can have an audience beyond those already attracted to abstraction. The goal isn’t a larger audience unto itself; the goal is an audience that would quickly find the work of interest when given the proper context.

The “Sonic Frames” installation I developed for the San Jose Museum of Art was an attempt at this, and I think a fairly successful one. Using imagery, and elegant physical frames, and directional speakers, along with other tools, the piece can attract a potential listener from across the room, and keep them focused once they decide to interact with it.

For the Junto projects, I share the written instructions each week as part of the setlist I create for the given project, but that requires someone to take the time to read. Also, those instructions are intended for a different audience: the participants in the projects. So, three weeks ago I acted on the instinct to record myself describing the project. It’s very different to be told a story than to read one, and very different to have a (somewhat?) friendly voice explain something abstract than to have to decipher it on a page. So now each week’s setlist begins with me, for a minute or so, explaining what the project is about. Collectively the intro and the tracks that follow it comprise something akin to a podcast, though it’s not quite yet the podcast I have in mind.

Below are the first four such project-introduction narrations. The first week I did this, I actually made two separate playlists, for reasons explained in the audio below:

More on the Disquiet Junto at disquiet.com/junto.

By Marc Weidenbaum

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