New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Current Listens: Dalt’s Voice, Mursyid’s Gamelan

Heavy rotation, lightly annotated

This is my weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. In the interest of conversation, let me know what you’re listening to in the comments below. Just please don’t promote your own work (or that of your label/client). This isn’t the right venue. (Just use email.)

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NEW: Recent(ish) arrivals and pre-releases

Despite the title “Patch Notes,” this 15-minute video by Lucrecia Dalt is not a tutorial. It’s a full performance, a mesmerizing one, for expertly processed voice. Dalt is based in Berlin, Germany.

“Origin High Brazil” is dense drones, somehow both orchestral yet solitary, from Parker Weston of Phoenix, Arizona. It’s the second track off the Enohpoxas Blews album, recored by Weston under the PKWST moniker:

Gamelan-inspired, software-forged, effortlessly dreamy synthesizer figments from the talented, Indonesia-based musician Fahmi Mursyid:

By Marc Weidenbaum

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