Pockets of Civilization

Two wheels good

My friend Brian Biggs told this little story via email, and I got his OK to share it the May 2, 2022, issue of the free Disquiet.com weekly email newsletter, This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)). For those requiring geographic context, “PA” is the state of Pennsylvania, where Brian lives.

*Last year I was on a hard bike ride up in Central PA, and my phone was squished in a handlebar bag in such a way that the SOS had been triggered by pressing buttons on each side. So each time I went through a little service area, which in that area is up top of the hills where the fracking areas are located (the energy companies have their own cell towers I guess), everyone in the family would get a SOS notice. One of my kids finally messaged the family and showed how it must be an error, cause he could track me along these utility roads every half hour or so. Which means I was moving and not lying there being chewed on by squirrels.*

*Sometimes I’ll be riding with a group of people, and all at once all of our phones will start whooshing and beeping with messages sent and received. Little pockets of civilization in the wilderness.*

This Week in Sound: PCB Birds, Ad-Spy Gadgets

A lightly annotated clipping service

These sound-studies highlights of the week are lightly adapted from the May 2, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound ([tinyletter.com/disquiet](https://tinyletter.com/disquiet)).

As always, if you find sonic news of interest, please share it with me, and (except with the most widespread of news items) I’ll credit you should I mention it here.

Your walls don’t have ears, but that gadget on your kitchen counter does: “report concludes that Amazon and third parties (including advertising and tracking services) collect data from your interactions with Alexa through Echo smart speakers and share it with as many as 41 advertising partners.” ➔ [9to5mac.com](https://9to5mac.com/2022/04/29/amazon-alexa-voice-data-used-for-ads/)

“[R]esearchers at MIT have developed a paper-thin speaker that can be applied to almost any surface like wallpaper, turning objects like walls into giant noise-cancelling speakers.” Writes Andrew Liszewski of this “noise-cancelling oasis”: “The domes are just ‘one-sixth the thickness of a human hair’ in height and move a mere half micron up and down when they vibrate. Thousands are needed to produce audible sounds, but the researchers also discovered that changing the size of the laser-cut holes, which also alters the size of the domes produced, allows the sound produced by the thin-film panel to be tuned to be louder. Because the domes have such minute movement, just 100 milliwatts of electricity were needed to power a single square meter of the material, compared to more than a full watt of electricity needed to power a standard speaker to create a comparable level of sound pressure.” ➔ [gizmodo.com](https://gizmodo.com/mit-invents-ultra-thin-speakers-wall-mounted-noise-canc-1848842742)

Sophie Elmhirst surveys the British telephonic landscape: “At their peak, in the mid-1990s, the British population of phone boxes was about 100,000. Now, there are just over 20,000 working boxes left. … Those that remain occupy a particular place in Britain’s idea of itself.” (Apparently some five million phone calls are still made annually on these old analog devices.) ➔ [theguardian.com](https://www.theguardian.com/society/2022/apr/28/last-phone-boxes-bt-payphones-uk)

“Kelly Heaton makes birds out of electronic circuitry that can be adjusted to produce a wide variety of birdsong.” They’re called Printed Circuit Birds, and they’re super cool. ➔ [kottke.org](https://kottke.org/22/04/the-birdsong-of-printed-circuit-birds)
(via Ryan Ruppe)

“The level of detail in sound design is unknown to those not attuned to its complexities. A touch of reverb, textural density, a sense of whether sound is concentrated within the observable reality of the screen or whether it pulls out beyond the frame, a subtle sense of physical location.” David Toop goes rewardingly deep into the films of Apichatpong Weerasethakul, mostly recently Memoria with Tilda Swinton, which no I haven’t seen yet. ➔ [sabzian.be](https://www.sabzian.be/text/apichatpong-weerasethakul-the-unknown-sound)

Gary Hustwit’s next film is a documentary about Brian Eno. His previous one was about Dieter Rams, which both featured a score by Brian Eno and managed to capture a brief moment of Rams, master of emotinally cool design, dancing. As I joked on Twitter, now Rams should do the score to this film. ➔ [hustwit.com/eno](https://www.hustwit.com/eno)

Dig into a very complex combination of DIY open source music machines, climate crisis awareness-raising, and role-playing games: “CCI is an open source game for the monome norns sound computer in which players lead the CC Incarnadine and her crew of climate-punks, nautical drones, and GMO algae on a mission to heal the desiccated coral reefs.” ➔ [nor.the-rn.info](https://nor.the-rn.info/2022/04/23/cci-update/)

“Some Mac Studio owners have noticed that their machines are making a high-pitched ‘whining’ sound that appears to be coming from the fan.” I’d make a joke with a title along the lines of “When the fan hits the fanboys,” but this does sound terribly annoying. ➔ [macrumors.com](https://www.macrumors.com/2022/04/28/mac-studio-high-pitched-noise/)

Sound Ledger¹ (Parisian Nights, Indian Speakers)

Audio culture by the numbers

10,000: estimated number of Parisians who can be awoken by “a single unmuffled scooter” in the middle of the night

53,942: number of loudspeakers removed from religious places across the state of Uttar Pradesh, India

60,295: number of loudspeakers from religious places across the state of Uttar Pradesh, India, whose volume has been lowered

________
¹Footnotes

France: [bloomberg.com](https://www.bloomberg.com/news/features/2022-04-27/how-paris-is-waging-a-war-on-noise-pollution). India: [business-standard.com](https://www.business-standard.com/article/current-affairs/up-police-removes-over-53-000-loudspeakers-sound-level-lowered-for-60-000-122050100122_1.html).

*Originally published in the May 2, 2022, edition of the This Week in Sound email newsletter. Get it in your inbox via [tinyletter.com/disquiet](https://tinyletter.com/disquiet).*

How I Got from Mastodon’t to Mastodon

Getting started is a hassle, but it's a darn interesting realm of social media

I finally wrapped my head around Mastodon, a social media platform, this past week. On Monday, April 25, I was beyond annoyed by how confusing I found Mastodon to be — and a similar exasperation was expressed by numerous friends of mine. For a while, I embraced this camaraderie of disinclination. But the more I worked to understand Mastodon, the more my perception changed, and my attitude along with it.

Tuesday was still more of the same. By Wednesday afternoon, however, I was quite active on Mastodon, and I began to run into some of those same friends, as well as familiar avatars from other social media platforms. I also met, in internet terms, new folks — and new-ish folks (one introduced themselves as the person who wrote a bot I interact with on another social media platform). That bot-to-human incident is just one anecdote, but anecdotes can be orienting, even if only as stories. The story here was that I’d traversed from a highly public social network to a relatively more circumspect one, and upon arrival I met not a bot but the person behind the bot.

By Friday, April 28, I had emerged as something resembling a Mastodonian. I’d moved through the three common stages of digital adoption: from annoyed through engaged to engrossed. That evening, when a friend casually asked, via a group email thread, if Mastodon was worth paying attention to, I began to reply — and I only finished after unexpectedly writing a roughly 2,000-word explanation to help my friend, along with the other participants in the thread, understand how Mastodon functions. Or more to the point, how I understand Mastodon to function, and why I think Mastodon might matter.

Grains of Salt
To begin with, I can’t say with assuredness that I’ll be sticking around on Mastodon. My general rule of thumb with online tools is to simply sign up and see if it sticks. I’ve tried so many social media tools, and very few have stuck. I quickly ditched Mastodon twice in the past, but it certainly makes more sense to me now than it did then. And since I found Mastodon difficult to make sense of, I wanted to share here my sense of what Mastodon is, why it can be hard to initially comprehend, and how one might go about both comprehending and engaging with it.

Yes, I know the complaint: if a social media platform requires a 2,000-word explanation (more like 4,500 words, as of this essay, which expands upon my original email), it is doomed to fail. I’m not here to say Mastodon is the future. I’m just here to say Mastodon is very interesting — and that while a lot of the perceived bugs may be bugs, and a lot of the conundrums are just subpar design and inefficient communication, some of those seeming bugs are features (or the residue of features), and much of that subpar communication is because of just how different Mastodon is from the current dominant forms of social media. In other words: Don’t miss the paradigm forest due to the bug trees.

If Mastodon succeeds (define success as you wish), it won’t simply be because the service became popular. It won’t even be because a significant number of people got over the same conceptual hump I did in order to understand Mastodon. It will be because an even more significant number of people won’t ever recognize the conceptual hump, because what right now, at the start of May 2022, seems downright odd about Mastodon actually will have become the new normal. That potential outcome is quite interesting.

And if you want to experience Mastodon before reading my attempt at an explanation, check it out at [joinmastodon.org](https://joinmastodon.org).

Reminiscing About the Early Pliocene Era of Computer Communication
Some personal context might help. And you can skip this section entirely. It’s just background on who wrote this thing you’re reading.

I’ve been on enough social media platforms that it feels as if their combined logos could fill a yearbook. My first experience online, broadly defined, was a nascent form of social media: a dial-up BBS, or bulletin board system. This would have been roughly around the time *The Empire Strikes Back* was released. Back then, I didn’t think much about the “self-enclosed-ness” of the BBS. The notion of dialing into a system and then communicating directly with people on the other end, and only those who had likewise dialed in, mapped easily to the idea of a phone call, even if we were communicating by typing rather than speaking.

The mental mapping from BBS to phone call was all the more easy to comprehend because an actual phone line was required to hook the computer — a RadioShack TRS-80, in my case — up to the world outside one’s home. (This wasn’t my home. This was a friend’s. An extra phone line cost real money, as did the phone call itself. Such expenses were beyond my childhood home’s norms for decision-making. My parents were not entirely clear on this BBS concept at first, but they did tell me about the emergence of phones in their own youth. The idea of a “party line” — or [“party wire,”](https://en.wikipedia.org/wiki/Party_line_(telephony)) vis-à-vis the [Normal Rockwell illustration](https://www.loc.gov/item/99614138/) of that name — helped all of us understand the BBS more than we might have otherwise.)

Then high school and college happened, and I didn’t log on again until the early 1990s (not counting the limited school network, which was just for programming, when I was an undergraduate flirting with being — and then being flummoxed by the demands of — a computer science major). If I had to put a date on it, I imagine I logged on for the first time in April or May of 1993 — so almost exactly 29 years ago. This would have been the direct result of the debut issue of *Wired* magazine. If archaic phone systems helped me understand social media, then it was paper that helped me go digital.

Two Steps to Understanding Mastodon
As I said at the opening, I had already tried Mastodon previously, since it launched in 2016. Back then, though, I wasn’t frustrated by it. I was simply unenthusiastic. Mastodon’s interface felt as if a long-running food co-op tried to recreate Twitter or Facebook: it all sorta worked, but was utilitarian at best, and mired in complex systems at worst. You could almost smell the carob brownies. The benefits of Mastodon were unclear to me. At that early phase of my adoption, Mastodon reminded me of so many wannabe SoundCloud replacements whose sole apparent purpose was to replace SoundCloud. “SoundCloud done right” is a self-denuding rallying cry. They brought nothing new to the party, and few if any of them gained steam.
Continue reading “How I Got from Mastodon’t to Mastodon”