My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

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What Sound Looks Like

An ongoing series cross-posted from instagram.com/dsqt


Dieter Rams and Hans Gugelot stereo plus Henry Dreyfuss radio in Stanford exhibit on corporate design, 1950-1975.

An ongoing series cross-posted from instagram.com/dsqt.
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What Sound Looks Like

An ongoing series cross-posted from instagram.com/dsqt


A tiny selection of the sheet music at this local music store, now well into its fourth decade. I asked for a specific song, and they located it in under a minute.

An ongoing series cross-posted from instagram.com/dsqt.
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What Sound Looks Like

An ongoing series cross-posted from instagram.com/dsqt


Memories of our early file-sharing ways: This is a detail from a story by comics artist Jillian Tamaki, collected in her recent book, Boundless. The story, first published in 2015, has nothing to do with random Squarepusher songs being illicitly downloaded, and instead focuses on a single MP3 that has an unfortunate effect on listeners. (The track is six hours long and titled “SexCoven.”) In a few panels, Tamaki captures a different time from ours. She casually posits the past as a beta test for the current technological present. The past isn’t foreign, just more pixelated. There’s the boxy interface, the requisite time sink (another panel shows just how burdensome dialup surfing could be), and that no longer ubiquitous wired mouse/pad combo, among other details. Kudos in particular for the varied case treatments of Squarepusher’s name, an early glimpse at the impact of metadata fluidity, and the smudge effect of “scroll scroll” in the subsequent panel (that action description was invisible to me in print, and I only noticed it after looking at this photograph of the page). The case issues with the Squarepusher titles are the visual gateway drug into how the story’s title track makes its way from an anonymous user’s computer to countless ones around the globe. This specific story might never have begun on a commercial website, or in a bricks and mortar record store for that matter. And even if the story is a fiction, a dark fantasy rendered in the artifacts of realism, the sense of a rupture in time, a shift in culture, a warping of communication, is trenchant.

An ongoing series cross-posted from instagram.com/dsqt.
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What Sound Looks Like

An ongoing series cross-posted from instagram.com/dsqt


One of the many stations in the San Francisco Botanical Garden Flower Piano festival

An ongoing series cross-posted from instagram.com/dsqt.
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What Sound Looks Like

An ongoing series cross-posted from instagram.com/dsqt


The mystery of apartment 835 persists. One day this building was a modest, three-family dwelling. The next day a smudge had infected the neighborhood’s collective memory. To this day there is no consensus in the local community. The Old 35ers still gather once a month at a nearby cafe to debate the building’s comings and goings. The Voiders meet less regularly these days, only when some bit of 35er quasi-evidence requires a little actual effort to be refuted. The Voiders haven’t yet failed to rationalize every shadowy visitor, every piece of mail marked return to sender, every arrival of a public-utility vehicle. Neither have the 35ers failed to feed the Voiders’ sense of purpose. Tellingly to both sides, the building’s remaining residents haven’t pledged allegiance to either point of view. The bachelor dentist in 831 has kept mum, the Voiders presume, simply to preserve his business, unlike the tiki bar on the main drag that features a somber 835 flag on the roof and a Never Forget cocktail on the menu. The 35ers insist on a nefarious pact between the dentist and … well, there are splinter groups as to whether the landlord, the unidentified former tenant, or some other party entirely has scared 831 into silence. As for the ancient widow in 833, she speaks only a near extinct dialect from a remote region that neither China nor Russia have bothered to lay claim to. The Old 35ers and the Voiders agree on one thing: both groups focus their canonical teachings on the mysterious scribble next to the bottom button. The 35ers point to the consistency of the color with the other addresses. The Voiders early on brought in a paleolinguist from the city college to testify. She felt that the indent and shorter “x height,” among other Talmudic marginalia, firmly distinguished the markings from the other two. If anyone does still live in what was or wasn’t 835, they may very well have disconnected the button, as it’s the favorite dare among students at the neighborhood’s four elementary schools.

An ongoing series cross-posted from instagram.com/dsqt.
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