Junto Profile: Michel BanabilaFrom the Netherlands: "Be open for anything that can happen."April 3, 2023April 10, 2023 / By Marc Weidenbaum
Junto Profile: Joe McMahon, aka Equinox DeschanelFrom West Virginia, now SF Bay Area: welcome imperfection, false dichotomiesMarch 27, 2023March 29, 2023 / By Marc Weidenbaum
Junto Profile: Klaus-Dieter Hilf, aka RabMusicLabFrom Heidelberg, Germany: Mathematics, Munich, MIDIMarch 20, 2023March 20, 2023 / By Marc Weidenbaum
Junto Profile: Jason Richardson, aka BasslingFrom Leeton, New South Wales, Australia: drafting, redrafting, and collaboratingMarch 14, 2023March 14, 2023 / By Marc Weidenbaum
Junto Profile: AethyrFrom Sheffield, England: eschewing perfection, tweaking genresMarch 6, 2023March 6, 2023 / By Marc Weidenbaum
Junto Profile: Kei Terauchi SideboardFrom San Francisco, California (and Japan): embracing contradictions, reading to composeFebruary 27, 2023March 5, 2023 / By Marc Weidenbaum
Junto Profile: xiiixxiFrom York, England: growing up with Italian opera, working with Euclidean rhythmsFebruary 20, 2023February 20, 2023 / By Marc Weidenbaum
Junto Profile: Ian JoyceFrom the North Wales coast: soporific synths, having fun, the cat's meowFebruary 13, 2023February 20, 2023 / By Marc Weidenbaum
Junto Profile: Daniel DíazFrom Paris, France: working in film, making space, keeping a notebookFebruary 6, 2023February 20, 2023 / By Marc Weidenbaum