My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

Disquiet Junto Project 0241: Foreground Effect

The Assignment: Compose a piece of music in which the material processed is secondary to the processing.

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Each Thursday in the Disquiet Junto group on SoundCloud.com and at disquiet.com/junto, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

This project was posted around noon, California time, on Thursday, August 11, 2016, with a deadline of 11:59pm wherever you are on Monday, August 15, 2016.

Tracks will be added to this playlist for the duration of the project:

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0241: Foreground Effect
The Assignment: Compose a piece of music in which the material processed is secondary to the processing.

Please pay particular attention to all the instructions below, in light of SoundCloud closing down its Groups functionality.

Big picture: One thing arising from the end of the Groups functionality is a broad goal, in which an account on SoundCloud is not necessary for Disquiet Junto project participation. We’ll continue to use SoundCloud, but it isn’t required to use SoundCloud. The aspiration is for the Junto to become “platform-agnostic,” which is why using a message forum, such as llllllll.co, as a central place for each project may work well.

And now, on to this week’s project.

Project Steps:

Step 1: Consider the following. New music can often involve flipping a perceived hierarchy: between rhythm and melody, between harmonic and melodic development, and between background and foreground, for example. This project involves flipping another perceived hierarchy: between the effect employed and the source audio on which it is employed (for example, between a flanger and a rhythm guitar line, or a gate and a drum kit, or between a filter and a complex waveform).

Step 2: Create an original piece of music in which the effect is the prominent thing heard throughout, while the source audio changes frequently between varied materials. The compositional goal is that the piece still hangs together as a considered whole unto itself.

Five More Important Steps When Your Track Is Done:

Step 1: Per the instructions below, be sure to include the project tag “disquiet0241” in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: This is a new task, if you’ve done a Junto project previously. In the following discussion thread at llllllll.co post your track:

http://llllllll.co/t/foreground-effect-disquiet-junto-project-0241/4134

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted around noon, California time, on Thursday, August 11, 2016, with a deadline of 11:59pm wherever you are on Monday, August 15, 2016.

Length: The length is up to you. Between two and four minutes seems about right.

Title/Tag: When posting your track, please include “disquiet0241” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 241st weekly Disquiet Junto project — “Compose a piece of music in which the material processed is secondary to the processing” — at:

http://disquiet.com/0241/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/foreground-effect-disquiet-junto-project-0241/4134

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by Nadar, and is used thanks to a Creative Commons license:

flic.kr/p/iaNB

By Marc Weidenbaum

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  • By Foreground Effect [disquiet0241] | Melodiefabriek on August 12, 2016 at 2:25 am

    […] The Assignment: Compose a piece of music in which the material processed is secondary to the processing. (see Disquiet Junto Project 0241: Foreground Effect) […]

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