New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Milwaukee-based soloist Eulb says he wants to “kill techno,” but apparently he’s going about his mission by embracing the enemy. A cut titled “Dull Bulbs, Broken Bylbs (Bylblem Fort)” is hard-core, aggressive, pneumatic and incantatory. Quite the contrary, “Interrupt the White Gold” is downbeat and goofy. The latter is described as “acid jazz,” but only to screw with anyone who’d take that genre tag as an incentive to download. Those cuts and others are on Eulb’s site.

Eulb’s home page (at also features soundfiles, along with an illustrated guide to the equipment in his studio. In short: the sound of “blue,” backwards.

By Marc Weidenbaum

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