Keith Rowe and Oren Ambarchi play a mix of guitar and electronics on Flypaper (Staubgold), an exhilaratingly stark album, if such a thing is possible. Their tandem playing has the randomness of field recordings, the spaciousness of great soundscapes and the give-and-take of substantive free improvisation. Flypaper is a pan-generational affair, teaming old-school avant-guitarist Rowe (b. 1952) with a guitarist of a younger generation, Ambarchi (b. 1969), who besides a rich resume of free/noise music has experience in today’s experimental pop-electronic realm, largely as a result of his association with the Touch label (which is home to, among others, Fennesz, who has done his part to make the electric guitar at home in the modern realm of the laptop-computer studio). Over the course of four tracks, “Flypaper I” through “Flypaper IV,” Rowe and Ambarchi tread rarified territory, eking out granular layers of dread and texture, and keeping to stoic rhythms that tend toward the ritual. Rowe can be a tough guitarist to love, because the sounds he himself loves are generally abrasive, and he seems bored by playing the same thing twice. That said, he’s more than happy to play the same thing — a shuddering low tone, a buzzy rasp — for minutes at a time, and to let that thing resolve on its own accord. Only a diehard fan could begin to imagine where he lets off and where Ambarchi comes in, so intimate is their deeply sensitive sense of ensemble and their weighty patience.
Current Activities
Upcoming
• July 29, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.Recent
• There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0500 / Humming to Your Selves / The Assignment: Play a tune by yourself and as if by two people whom you invent.
• 0499 / Out of the Landscape / The Assignment: Record a piece of music in which a sound emerges from a field recording.
• 0498 / Sonic Entomologist / The Assignment: Create a new hybrid insect from the sound of two different insects.
• 0497 / Benjamin's Glass / The Assignment: Pay tribute to Benjamin Franklin and his armonica
• 0496 / Isolation Room / The Assignment: Create new music around one strand of something you made in the past.Full Index
And there is a complete list of past projects, 500 consecutive weeks to date.