Nishi means “west” in Japanese, and it’s also the name of a record label run by K.M. Krebs, the musician responsible for yesterday’s Downstream file (here). On October 24, Nishi released its two latest recordings, one of which, Lament for Lost Beats (here), is a 20-minute set said to have been recorded live at the Open Circuits festival in 2002. Such is the nature of live electronic recordings that there’s no evidence of an audience; most live electronic concerts are recorded direct from the soundboard — or, all the more hermetically, direct to the hard drive of the performer’s laptop. In any case, Lament for Lost Beats is a lovely lull, built — no, “built” has too hard a consonant to it; it’s sewn from bell tones and a gently rocking rhythm. Rocking in the sense of a chair, not a garage band. The Nishi site describes it as a “shimmering spiral of tones and ever-so-subtle clicks.” The shifting sounds confuse foreground and background, with deep-toned vibrations that are almost Caribbean and higher-pitched data that fuzzes and grates, but lightly — just enough to keep the listener grounded. At almost exactly 10 minutes in, an identifiable bell resounds, as if to mark the midpoint. The performance is by Murphy Luzod (born Tom Reimer), a Vancouver-based musician. More music by Luzod/Reimer is available on the Luzod iuma.com page (here). Since 2002, Nishi, a subsidiary of No Type Records, has released 31 free online MP3 EPs, of which Lament for Lost Beats is its 30th. Check out the Nishi site, notype.com/nishi.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0487 / Carillon Quotidian / Assignment: Turn a recurring sound from your life into music.
• 0486 / Earths Days / The Assignment: Celebrate Earth Day on or for another planet.
• 0485 / Strange Weather / The Assignment: Remix the pure sounds of Chris Kallmyer's traveling wind chimes to your own musical purposes.
• 0484 / A Movable Heart / The Assignment: Transplant the sounds of Chris Kallmyer's wind chimes to a new location.
• 0483 / Type Set / The Assignment: Use a recording of yourself typing something as the underlying rhythmic track for a piece of music.
And there is a complete list of past projects, 487 consecutive weeks to date.
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