Nishi means “west” in Japanese, and it’s also the name of a record label run by K.M. Krebs, the musician responsible for yesterday’s Downstream file (here). On October 24, Nishi released its two latest recordings, one of which, Lament for Lost Beats (here), is a 20-minute set said to have been recorded live at the Open Circuits festival in 2002. Such is the nature of live electronic recordings that there’s no evidence of an audience; most live electronic concerts are recorded direct from the soundboard — or, all the more hermetically, direct to the hard drive of the performer’s laptop. In any case, Lament for Lost Beats is a lovely lull, built — no, “built” has too hard a consonant to it; it’s sewn from bell tones and a gently rocking rhythm. Rocking in the sense of a chair, not a garage band. The Nishi site describes it as a “shimmering spiral of tones and ever-so-subtle clicks.” The shifting sounds confuse foreground and background, with deep-toned vibrations that are almost Caribbean and higher-pitched data that fuzzes and grates, but lightly — just enough to keep the listener grounded. At almost exactly 10 minutes in, an identifiable bell resounds, as if to mark the midpoint. The performance is by Murphy Luzod (born Tom Reimer), a Vancouver-based musician. More music by Luzod/Reimer is available on the Luzod iuma.com page (here). Since 2002, Nishi, a subsidiary of No Type Records, has released 31 free online MP3 EPs, of which Lament for Lost Beats is its 30th. Check out the Nishi site, notype.com/nishi.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
• 0451 / Ursula's Silences / Make music inspired by a line from A Wizard of Earthsea.
And there is a complete list of past projects, 455 consecutive weeks to date.
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