Aaron Ximm went to Southeast Asia on his honeymoon in 2000, and he came back nine months later with a dowry’s worth of field recordings. A self-described “headphone tourist,” he subsequently produced a CD of sounds he found in Laos — “whining outboard engines,” “an ancestor memorial celebration,” “plumbing resonance” — forged into musical compositions. The album is titled Rockets of the Mekong, released this year as a CDR, the fourth volume in the Echolocations series from his Quiet American project. One of Rockets‘ 14 tracks, titled “Calisthenic,” is available for free download from the album’s promotional page (here) on the Quiet American website (quietamerican.org). It’s a beautiful piece, just over four minutes long, though it feels much quicker; brief snippets of real world sound are looped to incantatory effect, moving steadily away from silence. The track’s title might be an expression of its pace, its rapid-fire little sound elements, seeming at first like the hive techno of a late night insect swarm. Ximm, who writes eloquently and philosophically about his sound art, describes “Calisthenic” as follows: “An exercise in negative space. Composed almost entirely from a single moment in a very short source recording, this piece was created using a sculptural process in reverse: starting from almost nothing, everything is added back, a little at a time. At the end, we escape our single moment and the context of the recording (made in Luang Prabang, Laos) is revealed.” The name Quiet American is taken, of course, from the Graham Greene novel about Vietnam, and there are field recordings from Vietnam (as well as from Burma, Nepal, the United States and elsewhere) on Ximm’s website to complement the neighboring Laotian ones.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0456 / Line Up / The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
And there is a complete list of past projects, 456 consecutive weeks to date.
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