Drones are simply one end of a very long musical continuum. At the far opposite side is, arguably, music possessed by the rhythmic jitters. Take the recent EP by Bacanal Intruder, Room-a-Tronic, released on the Spanish netlabel So Soft (at sosoft.tk). Its six tracks whiz, blip and otherwise mechanically make their way by, each melodic line subdivided into countless little pieces, strung together like some carefully staged event. It’s no coincidence that they have the charm of a stop-motion short, because that’s what they are: little triumphs of staccato ingenuity. The track “Lowid” provides swiftly plucked guitar amid water-drop percussion, along with the fuzzy comfort of static dissonance and an occasional vocal utterance. “Wearing Nice Shirts with Legs” introduces a harmonica into the mix. The ingredients are different, but the recipe, which is quite perfect, remains largely the same. This is Eadweard Muybridge’s idea of electronic pop. “Morning Meeting for Dinner” makes good on the common if base desire of musical tourists: shuttling some regional sound (in this case the low-strung drama of Spanish guitar) through the universal translator of tech. To quote one of the song titles on Room-a-Tronic, “All Those Clicks, Miks and Bips Will Just Make You Crazy.” Crazy for Bacanal Intruder, that is.
Current Activities
Upcoming
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.Recent
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0494 / Insect Menagerie / The Assignment: Record a 20-second clip of the sounds of an insect that you yourself have invented.
• 0493 / AudioCorrect / The Assignment: Think about the utility and the useful failures inherent in autocorrect and apply this to your music.
• 0492 / Kintsugi Rework / The Assignment: Employ the Japanese technique of mending broken ceramics as a metaphor for remixing.
• 0491 / Footsteps Sequencer / The Assignment: Compose a piece of music structured upon a walk through your home.
• 0490 / In Conversation / The Assignment: Compose a piece of music structured like dialog.
Full IndexAnd there is a complete list of past projects, 494 consecutive weeks to date.