Electronic musician Greg Davis has gotten a mention in the Disquiet Downstream about once a month of late, and if his current online music distribution venture keeps up its initial pace, his appearances may become even more frequent. In August the Downstream featured free downloads courtesy of Amazon.com, off his 2004 album Curling Pond Woods (link). In July it was an extended mix of Grateful Dead songs (link). And in June it was a full solo live set he’d posted as part of the Kranky Records label’s ongoing download feature at kranky.net (link). That concert performance, recorded live at the Zeitgeist Gallery in Cambridge, Massachusetts, is now one of many that Davis is posting at the Internet Archive, or archive.org. The Internet Archive doesn’t provide mnemonic-friendly URLs for specific musicians, so you’ll need to follow the following link to get to Davis’ uploads (link). As of this typing, there are 16 from shows that happened in November of 2004, and one highlight among them (MP3) was recorded a the Drake in Toronto on the 15th. A brief review by a fairly prolific Internet Archive commentator reads, in part: “This is a long drone set. If you want some audial hypno-therapy then this is great. I am glad there are people who make this, but I prefer a bit more intelluctual stimulation.” To my ears, while the music indeed starts as a drone, it becomes far more than that; it develops its own rhythm as time passes, taking on the cast of a immersive, meditative Terry Riley piece. The MP3 link above is a lofi 64Kbps (a mere 13mb for nearly half an hour of music), but the set is available in four different compression standards, including a “lossless” 192mb version (link). There’s immersive, and then there’s submersive.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
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Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0456 / Line Up / The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score.
• 0455 / Inner Invertebrate / The Assignment: What does a moment (or a day) in the life of a jellyfish sound like to a jellyfish?
• 0454 / Lsoo Vneg / The Assignment: Encode the name of someone you love into a piece of music.
• 0453 / Dial Up / The Assignment: Imagine the technologically mediated First Contact through sound.
• 0452 / Let's Scream / The Assignment: Get cathartic. Be resilient. Turn your scream into music.
And there is a complete list of past projects, 456 consecutive weeks to date.
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