The rise of bleep.com, the online music retailer that doesn’t impose any DRM (so-called digital “rights” management) on its files, potentially signaled the decline, if not end, of free downloads from the growing list of labels associated with the enterprise (Warp, Ninja Tune, etc.). The website’s simple message for the new year: Fear not. Shortly after January 1, users registered with the site found a nice surprise in their checkout interface (not as romantic as “under their pillows,” but so be it), a various-artists set titled Bleeps-oh-six LP. Tracks include four blobs of funky old-school-ish electro/pop (Dexter‘s “D-Funked,” Jimmy Edgar‘s “My Beats,” National Trust‘s “It’s Just Cruel,” Skeletons & the Girl Faced Boys‘ “Git”), some rock’n’roll (Nectarine No9‘s “South of an Imaginary Line”) and folk (Mara Carlyle‘s “He Makes My Day”). But don’t be disheartened; there’s stuff here to remind you that Warp, the label that founded bleep.com, is the house that Aphex Twin helped build: Kero‘s “untitled (On Acid Again),” with its skittling beat and denial of routine structure; Wisp‘s rubbery “Congratulations” (with chatty and incongruous voiceover); and the nine-cut compilation’s shortest and, by far, best entry, Battles‘ stop’n’start “IPT2,” which sounds like a rough-hewn remix of the great punk band Fugazi. Just head over to bleep.com/bleeps06. If you don’t have an account, it doesn’t matter. Just sign up. It’s free, just like this compilation.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0439 / Hybrid Self / The Assignment: Compose music combining the styles of two musicians you admire.
• 0438 / Deep Plan / The Assignment: Compose a piece of music in which something special is situated at the very center.
• 0437 / Echo Relocation / The Assignment: Record someone else's field recording of their environment playing within your own.
• 0436 / Planetary Headspace / The Assignment: Share a recording of your local environment to create a communal soundscape.
• 0435 / Woodshed Report / Share something you've been working on (and respond to what others post).
And there is a complete list of past projects, 439 consecutive weeks to date.
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Most Recent Comments
Suss Müsik: "“Don’t be a cockroach” is great advice in any context. "
jet: "My local library has a Deluge for rent. It’s a nice idea. I had a play with one over a weekend and..."
Kent Sparling: "I really enjoyed this experiment/piece Marc! Just lovely. Looking forward to your further..."
Thomas Park: "Thank you for sharing the dub outtakes! "
Michael Fitzgerald: "Thanks for posting the news about Jon Hassell. I hadn’t heard about his failing health,..."