New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Bleep.com MP3 Gifts

The rise of bleep.com, the online music retailer that doesn’t impose any DRM (so-called digital “rights” management) on its files, potentially signaled the decline, if not end, of free downloads from the growing list of labels associated with the enterprise (Warp, Ninja Tune, etc.). The website’s simple message for the new year: Fear not. Shortly after January 1, users registered with the site found a nice surprise in their checkout interface (not as romantic as “under their pillows,” but so be it), a various-artists set titled Bleeps-oh-six LP. Tracks include four blobs of funky old-school-ish electro/pop (Dexter‘s “D-Funked,” Jimmy Edgar‘s “My Beats,” National Trust‘s “It’s Just Cruel,” Skeletons & the Girl Faced Boys‘ “Git”), some rock’n’roll (Nectarine No9‘s “South of an Imaginary Line”) and folk (Mara Carlyle‘s “He Makes My Day”). But don’t be disheartened; there’s stuff here to remind you that Warp, the label that founded bleep.com, is the house that Aphex Twin helped build: Kero‘s “untitled (On Acid Again),” with its skittling beat and denial of routine structure; Wisp‘s rubbery “Congratulations” (with chatty and incongruous voiceover); and the nine-cut compilation’s shortest and, by far, best entry, Battles‘ stop’n’start “IPT2,” which sounds like a rough-hewn remix of the great punk band Fugazi. Just head over to bleep.com/bleeps06. If you don’t have an account, it doesn’t matter. Just sign up. It’s free, just like this compilation.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
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