Darren McClure and Hiroyuki Ura performed live at a spot in Tokyo, and in preparation to do so, they brought the outside in. According to the brief liner notes that accompany Content in a Void, a four-MP3 document of that performance, the duo “gathered field recordings from the area around the venue” and then improvised on a mix of various electronics. That real-world sound is especially evident on “Loop Line I” (MP3), which is close to six minutes of the urban audiosphere, from kids screaming to water dripping to whistles blowing, all sewn into a singular trip. “Loop Line II” (MP3) trades exteriority for its opposite, a fine thread of miniscule sounds, little fuzzy bits, with the occasional high-pitched bleep of a Morse Code machine on the fritz. “Loop Line III” (MP3) adds mechanical drones, which threaten to subsume those coded beeps. And the real keeper, “Loop Line IV” (MP3), locates a nearly melodic cohesion that deserves repeated listens; its lovely pulses approximate a developing musical pattern, even if they’re clipped and splintered like flashing images from an old zoetrope. Though the four tracks have their own inherent flavor, they are intended to be listened to straight through, and easily fade from one to the next. More info at the website of the releasing netlabel, standard-music.net.
Current Activities
Upcoming
• July 28, 2021: This day marks the start of the 500th consecutive weekly project in the Disquiet Junto music community.
• December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
• January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.Recent
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0479 / Truck Radio Rain / The Assignment: Locate three sound sources and make something with them.
• 0478 / Collage of Collages / The Assignment: Make a collage that will become part of a larger collage.
• 0477 / Flying Blind / The Assignment: Record a piece of music in which some substantial portion is performed without looking.
• 0476 / IAH Forecast / The Assignment: Here's your next single's cover. Now record it.
• 0475 / Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts.Full Index
And there is a complete list of past projects, 479 consecutive weeks to date.