Darren McClure and Hiroyuki Ura performed live at a spot in Tokyo, and in preparation to do so, they brought the outside in. According to the brief liner notes that accompany Content in a Void, a four-MP3 document of that performance, the duo “gathered field recordings from the area around the venue” and then improvised on a mix of various electronics. That real-world sound is especially evident on “Loop Line I” (MP3), which is close to six minutes of the urban audiosphere, from kids screaming to water dripping to whistles blowing, all sewn into a singular trip. “Loop Line II” (MP3) trades exteriority for its opposite, a fine thread of miniscule sounds, little fuzzy bits, with the occasional high-pitched bleep of a Morse Code machine on the fritz. “Loop Line III” (MP3) adds mechanical drones, which threaten to subsume those coded beeps. And the real keeper, “Loop Line IV” (MP3), locates a nearly melodic cohesion that deserves repeated listens; its lovely pulses approximate a developing musical pattern, even if they’re clipped and splintered like flashing images from an old zoetrope. Though the four tracks have their own inherent flavor, they are intended to be listened to straight through, and easily fade from one to the next. More info at the website of the releasing netlabel, standard-music.net.
Current Activities
Upcoming
• February 5, 2020: The first session of the 15-week course I teach at the Academy of Art about the role of sound in the media landscape.
• April 15, 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
• December 13, 2020: This day marks the 24th anniversary of Disquiet.com.
• January 7, 2021: This day marks the 9th anniversary of the start of the Disquiet Junto music community.Dates TBA
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
• At least two live group concerts by Disquiet Junto members in the San Francisco Bay Area are in the works for 2020.
• I have liner notes for a musician's solo album and an essay in a book about an art event due out. I'll announce as the release dates come into focus.Ongoing
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.Recent Projects
• 0445 / Aare Tribute / The Assignment: Read maps of a river as a graphic score.
• 0444 / Bot Ensemble / The Assignment: Make music as directed by the great twitter.com/InstrumentBot account.
• 0443 / In Two Landscapes / The Assignment: Take two different field recordings and combine them to make one track, as in a mash-up.
• 0442 / One Sentence / The Assignment: Make music that explores the shape, tone, cadence, and content of a favorite section of prose or poetry.
• 0441 / Three Stones / The Assignment: Make music that explores territory sonically.Full Index
And there is a complete list of past projects, 445 consecutive weeks to date.