The tonal aspects of Asher‘s contribution to the Homphoni netlabel (homophoni.com) are just a few held notes amid a broader, but still decidedly sparse, range of what seem to be field recordings. It’s amazing how static, water, small motors and distant industry can become indistinguishable from each other, even at 207kbps. The track, titled “The Anguish Is Not the Same” (MP3), cycles in and out, with extended periods of silence. It’s unclear if those occasional tones, first heard on their own, then below the light noise, are tonal centers of the found sounds or generated notes added later. That ambiguity brings creative tension to a piece that might, on first glance, appear to be willfully devoid of it.