New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

MP3 of “Wordless Music” from Cepia

A live half-hour Cepia set recorded at the Wordless Music Series in Manhattan back on November 28, 2007, is true to its name — not the “wordless” part, because in fact voices are heard low down in the mix, but the Cepia part. The track is deeply imbued with a sense of nostalgia, from the water-logged amusement-park melody with which it opens, to the funereal goth-pop through which it proceeds. Even as the performance builds a rhythm and, slowly, begins to speed up, it has a maudlin quality — a touch of echo, a feedback-enhanced drum beat, a minor-key melody — that connects the decaying audio with a concern for memory and reflection. (Speaking of reflection, those sublimated voices are, most likely, emanating from the audience.)

More on Cepia, aka Minneapolis-based Huntley Miller, at cepiamusic.com, and on the Wordless Music Series at wordlessmusic.org.

By Marc Weidenbaum

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