New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Join the Geo-Sonic Army (MP3s)

The whole notion of surveillance yields understandably mixed emotions, for in addition to the countervailing impulses toward fear (“I’m being watched”) and comfort (“They’re being watched”), there is a third, less knee-jerk response: an allure akin to curiosity, a curiosity stoked by promise.

Something especially enticing hovers around locative data. The inherent promise of geo-coded sound suggests that we’ll be able to experience a place like it is some sort of sonic Rashomon. We’ll be able to hear the place from all angles — inside and out, noon and midnight, distant past and present, at peace and during unrest.

A few weeks back, I got to talking with Wired staff writer Alexis Madrigal, all about quotidian sound and the history of energy, and shortly thereafter received a note from him about a new little online enterprise he’d subsequently kick-started: In an initial post titled “The Sound of Places in Time,” Madrigal discusses the enticing quality of a “sound map,” especially one that unfolds as time progresses. Hence his adoption of the iPhone app AudioBoo (and of its attendant website, to try to get people to record the real world and to share their found sounds.

Madrigal has proposed tagging these sounds with “HTW” (for “HearThisWorld”), as well as offshoots thereof, associated with various assignments he’s begun posting at, like “HTWcommute” for sounds heard when you’re headed home, and “HTWohm” for mechanical noises caught at the office. Initial responses include San Francisco public transportation (MP3); Liverpool public transportation (MP3); a toothbrush (MP3); the library in Berkeley, California (MP3); and one that I’ve contributed myself: the rhythm of a ceiling fan in my office, a sound that I think would make an excellent generative-music beat (MP3).

[audio:|titles=”Sound of the 82 bus”|artists=Alextronic] [audio:|titles=” From the BART to my street”|artists=Alexis Madrigal]

[audio:|titles=”Tooth brushing at various speeds”|artists=Alexis Madrigal]

[audio:|titles=”Berkeley library main stacks “|artists=Alexis Madrigal]

[audio:|titles=”The beat of the office ceiling fan”|artists=Marc Weidenbaum (Disquiet)]

Check out the HTW-tagged sounds at

By Marc Weidenbaum

Tags: , , / Comments: 2 ]


  1. Chiquita Szczurowski
    [ Posted September 16, 2009, at 8:40 am ]

    I think we need to go back to simple values why do we need all this stuff…people are dying people are fighting people are lost and lonley people are getting so smart that that is all that matters…PEOPLE ARE DYING these are real problems that need solutions

  2. wwc
    [ Posted September 16, 2009, at 8:27 pm ]

    You are right CS, but people live for things too.

    I’ve joined the Geo-sonic army with an initial post from deep within the University of Virginia School of Law.

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  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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