New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Past Week at

  • Few sounds combine the promise of comfort and the threat of bodily harm like that of a fast-moving ceiling fan in a small bedroom. #
  • RIP, the Kinks' Pete Quaife (b. 1943) — no surprise the band's bassist was its peacemaker: #
  • Trying to reconcile my deep affection for San Francisco's fog horns with the not unrelated phenomenon of multi-hour flight delays. #
  • So, @ascap attacks @creativecommons in fundraising letter. It's like attacking the Quakers. Good discussion going at #
  • iTunes challenges Microsoft's cumbersome bloatware: Hour into iOS 4 upgrade, 8gig Touch (gen 2) is 1/40th of way along status bar #cancel #
  • On a good day, using @rjdj in the city can feel like being in an extended sequence from Michael Winterbottom's film Code 46. #
  • Thank you, iTunes, for needlessly reorganizing all my iPod Touch apps into alphabetical order when upgrading yesterday evening. #
  • The new @hootsuite (a Twitter-management tool) web interface is great: better use of screen-space plus theming. #
  • Travel rule: don't install new software on laptop the night before a trip. #
  • The album Les Chinoiseries by Onra makes the perfect background music to recent novel For the Win by @doctorow #
  • Emerging from many continuous hours in the King Tubby & Co. channel at @grooveshark #
  • That MC Escher time of the year in San Francisco, when the color of the daytime sky matches that of the street. #
  • Drunk old man on the bus making much noise about preponderance of cellphones, in so many words. I think Roddy Piper played him in the movie. #
  • Wandered outta Matmos/So Percussion show on early side, fascinated as always so many people pay for opportunity to talk through a concert. #
  • The voiceover following today's noon test alarm in San Francisco sounded particularly placid, and thus all the more Orwellian. #
  • While using @rjdj on iPod Touch on bus, didn't realize that some of the audio doubling was a child repeating the automated announcements. #
  • City living means that a slight alteration in the sound of your neighbor's shower suggests that a new nozzle has been purchased. #
  • Tonight: Matmos & So Percussion @rickshawstopsf — very much looking forward to this. #
  • Disappointed iOS4 won't hook gen2 iPod Touch with Bluetooth keyboard. No luck on my G1 either. I could do equivalent 10 years ago on Palm. #
  • RIP, founder Kim Flint, aka @kimatorium — via @zoecello & @kingnever #
  • Dryer full, or assault-by-helicopter? #
  • Today I'll listen to albums I permanently borrowed from my dad when I left for college, notably Ornette Coleman's Body Meta. #mydadsmusic #
  • RT @mmaddencomics: RT @ubuweb: Cardew's score for 'Treatise' (1963-67): <- could have been in Abstract #Comics anthology #

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

  • Field Notes

    News, essays, surveillance

  • Interviews

    Conversations with musicians/artists/coders

  • Studio Journal

    Video, audio, patch notes

  • Projects

    Select collaborations and commissions

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  • Current Activities

  • Upcoming
    • December 13, 2022: This day marks the 26th anniversary of the founding of
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0561 / Samplelicker / The Assignment: Rework environmental sound recordings with Aphex Twin's new software.
    0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
    0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
    0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
    0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases.

  • Full Index
    And there is a complete list of past projects, 561 consecutive weeks to date.

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  • [email protected]

    [email protected]

  • Downstream

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