New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Pixel Dust from Hoist (MP3)

Earlier this year, a track by Hoist made an especially strong impression. Titled “Bleakscape,” it featured a drone that brought to mind a slow meander, a kind of edging away from the sense of stasis that is often a key constituent part of a drone-based piece of music. Showing himself to be no mere drone-centric composer, Hoist recently posted another track, titled “Skittery I (excerpt),” which like “Bleakscape” signals its sound with its name. On first listen, it is all tentative pixelation, a lo-impact pixel-dust rendition of the modular synthesizer experiments that Keith Fullerton Whitman has been making on such albums as Generator. What it shares with “Bleakscape” is a sense of drift, here heard as a mix of shifting layers that lead to slight alterations in counterpoint, like if Steve Reich had scored the video game Centipede:

More on Hoist, aka Charlie Hoistman, at soundcloud.com/hoist and snowofbutterflies.com.

This post is a make-up from yesterday, when I failed to do a (week)daily Downstream post. I’d messed up the WordPress calendar system.

By Marc Weidenbaum

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