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Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Two Bands in Iowa / Accidental Charles Ives (MP3)

In his recollection of conducting a work by Charles Ives, “Three Places in New England,” the encyclopedic musicological figure Nicolas Slonimsky discusses the manner in which he accomplished Ives’ vision. The work requires an orchestra to imitate two marching bands playing different pieces of music simultaneously. As Slonimsky describes it, he taught himself to keep pace for one “band” with one hand, and the second “band” with his other. The orchestra, he reports, had no difficulty with the work, which he conducted at least three times. As for the audience, he allowed, “The reaction varied from spellbound enthusiasm to speculation as to what the chambers of commerce in New England would say of this dissonant portrayal of its natural attractions.”

The irony inherent in the reception of much so-called avant-garde music is that it seeks no more or less than presumably conventional music to illuminate the everyday. The forward-looking nature of Ives’ adventurous composition can be exaggerated, when we make the mistake of thinking too little of the world in which he came of age (he lived from 1874 to 1954).

Case in point, the intersection of two bands is no long since faded incident of a halcyon era. Just today, Mark Rushton, a prolific sound artist who lives in Iowa, posted a field recording that could very much be an Ives performance, were it not in fact real life captured in a microphone. As Rushton describes it:

Recorded on Monday, March 28, 2011 – a field recording – while waiting for my daughter to finish school band practice, I realized that another band of older students was practicing nearby. This is the overlap, plus some hallway sounds.

Track originally posted at soundcloud.com/markrushtoncom. More on Rushton at markrushton.com.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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