Much of the Mizati album ydna, released late last year, is a collection of slight elements aligned in unlikely combinations, among the most delectable of such combinations being those that mix emotionally remote piano lines with slender fragments of electronic percussion. There’s something special to how the piano here is almost inhuman in its simplicity, and how that spare quality allows for a camaraderie, a kind of cold simpatico, with the far more mechanized beat. The track titled, simply, “G” may be the highlight, its chords spaced apart to such an extent that they often decay fully before a new one enters in — an effect that is amplified, so to speak, as the close nears, when the decay fades into a drone that never quite seems to end (MP3). Pushing the album beyond being a straightforward experiment in minimalist pop are tracks that flirt with raspy techno, and others that employ unusual elements, such as saxophone and guitar.
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Ian Joyce: "Beautiful as this is to listen to at home – her performance in person is totally absorbing. Her..."
Jens Alfke: "Has anyone made a mirror of this playlist on Apple Music? If not, maybe I will… (i know I can..."
Jason Richardson: "Nice. Reminds me of Barbara Bartos’ soundscape instrument, see https://vimeo.com/barbarab..."
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Peggy Nelson: "Like you, I was really fascinated watching the code be worked on, while the music changed in response..."
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• January 2, 2018: This day marks the 6th anniversary of the Disquiet Junto.
• February 7, 2018: Start of the semester for the course I teach on the role of sound in the media landscape at the Academy of Art in San Francisco.
• December 13, 2018: This day marked the 22nd anniversary of Disquiet.com.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
The Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects:
• 0341 / Sample Forensics / The Assignment: Place a fragmentary sample into a natural-seeming setting.
• 0340 / Porta Party / The Assignment: Record a piece of music entirely on the go.
• 0339 / Rude Mechanicals / The Assignment: Record a piece of music in this imaginary genre.
• 0338 / Imaginary Quartet / In collaboration with Naviar Haiku, make a four-person band from the provided four live solo.
• 0337 / Through-Composted / Create a piece of music that is through-composed, but built entirely from samples.
... And there is a complete list of past projects.
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