New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Past Week at Twitter.com/Disquiet

I made one edit of significance below. The Judge Dredd quote was “4,000 frames per second” not, as I’d initially tweeted, “4,000 frames per session.”

  • A favorite netlabel returns after two-year absence with music from a favorite musician: http://t.co/ep7PbWr2 Kenneth Kirschner on SHSK’H. #
  • Dates for @djunto concerts added to “upcoming events” sidebar: Manhattan on Nov 27, San Francisco on Dec 6: http://t.co/Yh8y3liM. #
  • It’s nice to be able to do simple math functions in the OS X Spotlight bar. #
  • Guy on cellphone in quiet café talking about “break support.” People look at him and each other and smile, like, “What are you thinking?” #
  • An answer about what @trent_reznor‘s “Yes.” tweet was about: https://t.co/BnMcomhw New band, new EP, signed to Columbia. #
  • Production video from which previous tweet’s quote originated: http://t.co/HHQQAOHa #dredd #slomo #3d #
  • “None of us really understands what happens at 4,000 frames per second.” Very much looking forward to Dredd. #
  • Waiting for Tea Party to complain it isn’t video games but specifically co-op play that’s weakening America’s youth. #
  • Dumfounded when CCA dropped “craft” just as gen-Etsy was rising, and again that SF’s Museum of Craft & Folk must close: http://t.co/dmCvnbjB #
  • I hope this week’s @djunto project holds interest for folks. Employing “foley” techniques to create a “faux field recording” is enticing. #
  • RIP, Miss Monitor aka Tedi Thurman (b. 1923), at one time perhaps “the most recognizable female voice in the country”: http://t.co/BxoiGcBl #
  • This week in the @djunto we’re making a “fake field recording”: http://t.co/XdREURGZ + http://t.co/vpYbWL93 #
  • bouncy house music #
  • Baby’s first mosh pit. Hope my recording of this bouncy house comes out OK. #
  • Nice. Free 9-track solo 9-finger piano Nils Frahm set: http://t.co/mLJvWsMl. My interview with Frahm: http://t.co/2lCYZjwV #
  • My reward when I get all of this done is to (finally) read the (1979) novel on which the (1981) movie Diva was based. (Er, in translation.) #
  • This is the chart of the cornet’s development, which I mentioned last night @gaffta: http://t.co/ChLUAcsZ #
  • Extended DVD cut of Looper hinges in part on rights to Chopin Étude: http://t.co/S9T1k0T0 What year is it? Couldn’t a new recording be made? #
  • So, what’s going to be the “best” (for lack of a more useful term) T-Mobile Android phone in November, when my contract’s denouement begins? #
  • I dig my Touch & Macbook, but why my phone remains Android: widgets (notes, calendar, buttons); drag’n’drop; SD card; standard USB charging. #
  • 10am bells pierce the collective shroud of silence in the floor of the library dedicated to “quiet study.” #
  • The term “indie” is at best evidence of rock’n’roll recovering from its long held delusion of its inherent exceptionalism. #
  • Adding “ear training” alongside “audiophile” as a word ripe for — in need of — redefinition. #
  • The ungainly Taylorism of “I wanna rock’n’roll all night and party every day.” So sad to think that rock’n’roll cannot itself be a party. #
  • The 3D effect of new iPad maps tool makes my ‘hood look like it’s built of soggy paper mache. I mean, it’s humid here, but not that humid. #
  • The iPad 2 updated to iOS 6. Seems faster. Do Not Disturb is nice. Free is nice. Doesn’t feel like 200 updates. Absence of widgets is silly. #
  • The first @trent_reznor tweet in four months is simply “Yes.” Anyone know what it’s in reference to? I am hopeful for a new film score. in reply to trent_reznor #
  • Great @gaffta conversation this evening: musical interfaces, virtuosity, tradition, networked participation, live coding. #
  • Headed to @GAFFTA for panel on alternative musical interfaces. I’m moderating, but given the panelists I’ll mostly be quiet and just marvel. #
  • Today’s “sound” class: Whitney Houston instrumental, Cage on Van der Rohe, Eno on perfume, ancient Greeks on how recording diminishes memory #
  • Key among San Francisco’s benefits: living in same city where The Conversation takes place when I’m assigning it for my class on “sound.” #
  • Maybe iOS 6 will be the first OS I do not early-adopt. #
  • Dug the Last Resort pilot OK, in part because it resuscitates the Unit part of Shawn Ryan’s work, but sure didn’t sound submerged/sub-like #
  • Short interview I did with Nils Frahm regarding his busted thumb, current tour, & lightly prepared piano: http://t.co/2lCYZjwV #
  • Guitar looks like Tom Petty’s, sounds like Brian Eno: acoustic 12-string cover of “An Ending (Ascent)”: http://t.co/WiCIaOxo #
  • Evening music: lovely little OP-1-recorded bit of phases, beeps, and attenuated drones by @jbutlerjbutler: http://t.co/xp43X56M #
  • Class I’m teaching tomorrow at Academy of Art is A Brief History of Sound: celebrity death, oral culture, anatomy, perception, synaesthesia. #
  • “Those places don’t exist except in the imaginations of those who sit in the editing suite.” #
  • Re-familiarizing myself with the Soundtracker doc about Gordon Hempton in advance of tomorrow’s sound class. #
  • One of those weeks when PDF-reading management on the iPad is hurting my brain. #
  • The 38th weekly @djunto will be an inverse take on the 37th. Details as Thursday approaches. Cc @notrobwalker @apexart #
  • Morning sounds: garbage truck, students chattering as they walk by house, yappy dogs, buzz of overhead plane, low-level electric whine. #
  • “First, the key goes in real quiet.” Watching The Conversation for the umpteenth time. Watching is the wrong word. Observing? Surveilling? #
  • From an Apple store to Akihabara to Macy’s: 24 (and counting) audio recordings of commercial space: http://t.co/lSzme8ob #
  • Have any of the USA network’s past few years of summer-season shows had a crossover? #
  • Deee-Lite/Thomas Dolby hits reworked in pair of commercials during one break. My memories, another’s jingle. May the circle be unbroken. #
  • So many pumpkins in the back of the car it looks like a Peanuts version of Invasion of the Body Snatchers. #
  • “It’s easy to forget how pervasive music is in retail until you go looking for place it’s not”: @notrobwalker on the current @djunto project #
  • Looking forward to moderating this discussion @gaffta on Wed evening, Sep 19, on “alternative musical interfaces”: http://t.co/13MzzocC #
  • Ghost bus. #

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
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    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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