New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Kate Carr’s Ambient Naturalism

Put "Once Upon a Rose Coloured Time" on repeat.

Kate Carr’s “Once Upon a Rose Coloured Time” is a piece of nature-infused ambient music. It’s all rustling leaves, birdsong, and a slow foundation of pure droning sonic billow. Two components stand out from the naturalist undercurrent, nudge it from background audio to foreground listening. There is a gentle guitar line that arrives about halfway through, and there is a brief, upward, single-note melodic line. The latter may, in fact, be a snippet of birdsong set on loop. That, as a result, it brings to mind, quite favorably, Brian Eno’s Thursday Afternoon is a sign of just how well those naturalist and sonic tendencies overlap.

Track originally posted at soundcloud.com/katecarr. More from Carr, who is from Sydney and is currently based in Belfast, at twitter.com/flamingpines.

By Marc Weidenbaum

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