New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

A Taste of The Revenant

Music by Sakamoto, Noto, and Dessner

Certainly, gauging by the initial promotional track, “Killing Hawk,” Ryuichi Sakamoto, Alva Noto, and Bryce Dessner’s music for The Revenant will be enthralling, just as gravitas-laden and epic as the forthcoming film looks to be. “Killing Hawk” balances an extended, slow-mo orchestral string section with what appears to be a digitally stretched version of the same audio, the backdrop a horizon’s-edge figment of generalized noise. It’s stunning, especially when a kind of ferrite pixie stick scatter appears, perhaps paralleling rampant birds in flight on screen. We won’t know until the film debuts, in about a week (December 25). Sadly, according to factmag.com, the score won’t be eligible for an Oscar (Sakamoto won for The Last Emperor back in 1987), because three composers are involved.

Track originally posted at soundcloud.com/milanrecords.

By Marc Weidenbaum

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