“After the dancing / The wind in the pine trees / The voices of insects.” That brief poem was the subject of the 111th Naviar Haiku project. Naviar Haiku is a weekly project series, like the Disquiet Junto and the Stonesthrow Beat Battles, in which musicians respond to prompts. In the case of Naviar, each prompt is a haiku that the participating musicians then transform into sound. The musicians produce, in essence, a score to the words — not necessarily, if ever, to the melody inherent in the words, but to the images and narrative that the words express. I wrote the haiku for the 40th Naviar project (“There’s a lifetime in / between the first and second / clicks of the door’s lock”), which doubled as a Junto project (the 145th). Yesterday I wrote about another weekly project, Weekly Beats, through the lens of a recent piece that employed field recordings. Like the Weekly Beats, the Naviar puts a minimal constraint on the participants. In the hands of the musician who goes by noimspartacus (based in Birmingham, England), it’s a call for a whimsical, modest fantasia. Wind chimes give way to an underlying drone, out of which emerges a playful melody played on synthesized instruments. At first it’s a little organ or horn sound, but then a more high-pitched tone is introduced, drawing on the listener’s memory of that chime at the opening.
Track originally posted at soundcloud.com/noimspartacus. More from noimspartacus at noimspartacus.wordpress.com. More from the Naviar Haiku at naviarlab.tumblr.com.
One thought on “Music for and from Haikus”
Thanks for your post on my Naviar entry, made my day :)