My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

The Pure Data of Svetlana Maraš

One minute to stream, and software to run for free

svetlanamaras

You have to click through to the blog of Svetlana MaraÅ¡ to hear her recent piece “Nymphae,” but don’t mistake that non-embeddable scenario for the work of someone who’s overly concerned about proprietorship. Maras, who is based in Belgrade, Serbia, has more than one SoundCloud page, and posts audio frequently. For “Nymphae,” not only has she uploaded the entrancing, minute-long sample of fractured glistening to stream, she’s also posted for free download the underlying tools anyone can use to accomplish the same sonic ends. Well, anyone with a copy of Pd (Pure data, a “real-time graphical dataflow programming environment,” itself freely downloadable), and the skills to employ it. The tools come in the form of a patch, which looks like this:

svetlanamaras-pd

She describes the project as follows:

Nymphaea is one in a set of 7 works made under the title Ethereal Information. These works are Pure data patches, and they are generative sound works functioning by the rules of partially fixed algorithms. Each of the patches leaves the space for user’s input that will influence certain aspects of the work. Patches can be used under the Creative Commons Attribution license, as part of other works, in installations, galleries, public spaces or wherever you find them suitable. These works are highly minimalistic. They praise the simplicity of production and effectiveness of realization. They are to be appreciated for their audible but as well visual content that is in this case the structural element of the work that reveals work’s internal characteristics.

More from MaraÅ¡ at svetlanamaras.com. I wrote about her work previously in February 2015, regarding sound design she’d been working on for a film that never saw completion. That audio is still online. The image up top is from an interview with MaraÅ¡ by Theresa Beyer, published in 2014 at norient.com. Pure data is available at puredata.info.

By Marc Weidenbaum

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