To orient yourself with — or, perhaps, more to the point “in” — the track “re place” by Proxemia, it can help to focus on the transitions. During the course of a mere two and a half minutes the piece runs through half a dozen or so momentary states. Stereoscopic percussion pauses for a dial tone before a deep, bass thrum makes the suddenly tiny-seeming sounds succumb to an intense depth of field. This is after scatter relays give way to a cymbal, which in turn is cut off by a radio-dial spin that’s all harsh static.
Proxemia (aka José Rivera) makes each moment count, and in doing so challenges the ear to find a place to call home. Rather than clinging to a moment, it can help to ride the changes, to listen forward to the way scenarios shift. It’s a different way of listening, one focused on what’s between modes rather than on a given mode itself. The piece closes, tellingly, with a muted ripple effect, fading to nothing in a manner that makes “nothing” just another stage in the procession.