Doorbells are generally buttons to be pushed, rarely if ever pulled. Sometimes these buttons are illuminated, though generally not. The ones that are illuminated don’t merely help guide the visitor’s finger; they also surface the fact of the electricity that mediates the interaction: that the bell, like the light, is the result of the AC power of the building into which entrance is being requested. Doorbells replaced knockers, the non-electrified notification system of banging a small hard object connected to the door by a hinge. Not all non-electric door-announcement systems are knockers, however. Some ring bells as the result of a spin, bringing to mind bicycle bells. The question is when these spun doorbells originated. Are they a mechanical means to accomplish a post-electric entry sound, or are they a pre-electric premonition of the now common doorbell?
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
Upcoming • December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com. • December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation. • January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.
Recent • July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community. • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too. • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)
Ongoing • The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
disquiet junto
Background Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
Recent Projects
• 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production. • 0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on. • 0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track. • 0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music. • 0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.
