New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Don’t Listen So Much as Submerge

A brief aquatic setting by Sweden-based Pythagora

Part squishy aquarium gurgle, part off-kilter rhythmic patterning, part droney melodic quaver, “Nord” by Pythagora is a brief glimpse at a synthetic sound world. Its component parts are so distinct from each other that the finished piece feels more like sound design than like a musical composition, in that it seems more about setting a sense of place than about expressing a narrative — which, come to think of it, is a fine alternate definition of ambient music. Now, virtually any music can be said to suggest a place, whether through direct or indirect association, through genre or lyrical content. What makes a piece like “Nord” ambient is its emphasis on place and mood above all else. (Presumably it is part of a larger construction, because it ends quite suddenly.) There is no development, per se, though some elements do appear to shift in relative importance. What there is is a depth that situates the listener amid the composition. You don’t listen so much as you submerge.

Track originally posted at Pythagora is Dan Henry Pålsson of Malmö, Sweden.

By Marc Weidenbaum

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