New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Buried in the Depths

Sara Callaway lends her violin to a Stephen Vitiello construction

This is an asynchronous duet between Sara Callaway, playing violin, and Stephen Vitiello, playing with samples of Callaway’s violin after the fact. At first the emphasis of the recording is simply Callaway’s pizzicato action, all pointilist plucking, and then it is on layers that suggest a small chamber group playing something that is equal parts classical minimalism and rural bluegrass, the artful construction informed by a pop sensibility yet fully eschewing song form.

The major transition occurs approximately halfway through, when there is a shift in the balance of power, when the synthesis overtakes the sample, when dense shimmers and industrial roiling come to the fore. Into the mix then arrives a voice, which Vitiello says he can’t recall the source of (“The voice at the end is someone else, unknown buried in the depths of my hard drive”). It manages to both confirm the pop-like gestures, and, with its ethereal, disembodied sensibility, also confirm the avoidance of allegiance to pop.

Track originally posted at soundcloud.com/stephenvitiello. More from Vitiello at stephenvitiello.com.

By Marc Weidenbaum

Tags: , / Leave a comment ]

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

Subscribe without commenting