Over 165 people have expressed interest by signing up via the Google Form posted a couple days ago. For reference, there are currently 1,573 subscribers to the Disquiet Junto email list, and likely there is substantial overlap between the two lists. I may create a standalone list for the Silent Film project, but for now the Disquiet Junto email list will do double duty. In the next week or so, the first film and the participants for that scoring project will be announced, as will plans for subsequent films as well, at least one of which will follow shortly thereafter.
Initially the plan was maybe 20 people or so would sign up, and we’d do a single film. When that number quickly became 40, and then 60, perhaps we’d do three films at once. As the number topped 100, even allowing that many people may not end up having the time or interest when the dust settles, a more deliberate approach came into focus. There are many ways to tackle the collaborative scoring of a public domain film, and so we’ll do multiple projects over a period of time exploring those different strategies. We’ll do one in which very little information is shared. We may do one exquisite-corpse style, where each participant builds on what came before. We may do one where a shared set of sonic resources are made available. And so forth. One thing all these projects will have in common is that the participants will have substantial time to complete their work, in purposeful contrast with the standard four-day turnaround of the weekly Junto projects.
And that covers it. It’s very exciting to have the Silent Film series to cogitate on and act on during this continued state of mutual self-isolation. It is, indeed, a cliche at this stage to belabor the benefits of long-distance connection, but it is not to simply note them, especially because they have been core to the concept of the Disquiet Junto ever since it was founded back in January 2012.