New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Current Favorites: Icelandic Viola, Processed Piano

Heavy rotation, lightly annotated

A weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them. (This weekly feature was previously titled Current Listens. The name’s been updated for clarity’s sake.)

Sola is Anne Leilehua Lanzilotti performing a three-part piece by Icelandic composer Anna Thorvaldsdottir. If hyper-attenuated, ghostly strings are your thing (they are mine), this is ideal listening. As a bonus (and a model for other labels), the three tracks are followed by seven containing a conversation between composer and performer. Releaed on the New Focus Recordings label.

▰ Solo live performance by Raffael Seyfried for piano, complemented and transformed by synthesizer. The track is titled “Haptic,” and it is recommended you watch as he touches the equipment throughout.

▰ A fine synthesizer piece, titled “Frozenfir.” A lot of current synth material can over rely on plucked and warped sounds, but this performance by Ambalek, who has quickly become a personal favorite, strikes a smart balance.

▰ Due out in mid-March, the upcoming Devin Sarno album, Evocation, offers welters of noise and a brief expanse of ether in its two preview tracks.

▰ Also spending a lot of time with two pieces I wrote about in a bit more detail this past week, both solo live synthesizer performances, one by Orbital Patterns and the other by Electric Kitchen.

By Marc Weidenbaum

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