Scratch Pad: Brumel, Transcription, Nurungji

From the past week (social media doesn't have to be a health hazard)

At the end of each week, I usually collate a lightly edited collection of recent comments I’ve made on social media, which I think of as my public scratch pad. I tag on what books I may have finished reading. Knowing I’ll revisit my social media posts, I’ve found, serves as a positive and mellowing influence on my online activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.

▰ I remember when there were only two readily available recordings of Brumel’s “Earthquake” Mass (from around the first decade of 1500). I’ve got some catching up to do.

▰ I’m very happy that Beat (Adrian Belew, Danny Carey, Tony Levin, Steve Vai) continue to tour, playing the fantastic 1980s King Crimson repertoire, with Carey filling Bill Bruford’s shoes and Vai filling Robert Fripp’s. What I’m hoping for is that they start writing new music together.

▰ These endless automated spam calls for fake loans and other phishy hijinks just can’t be sustainable. The prevalence must be impacting how people even use their phones, how (not) responsive people are to inbound calls in general. It’s kind of bizarre robocalls can legally persist like this.

▰ Q: The 750th Disquiet Junto project happens in a couple weeks. You gonna run out of project ideas?

A: I drove to the Marin Headlands this weekend and got two ideas out the trip before I even arrived at my destination, and a project proposal was waiting for me in my email from a regular participant.

▰ A friend DMd me the transcription of a voice message from an elder relative, whose accented English was impenetrable (i.e., ignored) by the automated voice-to-text tool. I thought immediately of Malka Older talking about writing for people whose names are underlined in Microsoft Word.

▰ Just to repeat: We live in the golden age of vaporware.

▰ I would have recorded and shared the dulcet sizzle of my dolsot bibimbap lunch, but the K-pop* playing on the restaurant stereo would have earned me a takedown notice.

I did get a good pun out of it. I also learned a new-to-me word: “nurungji,” or “scorched rice,” the flavor of the sucking candy that came with my bill.

*IIIBOI, Ash Island, Big Naughty

▰ OK, that’s a neat trick. In Threads I pasted in a long post, and the text was auto-split into suggested multiple posts of the correct length.

▰ I just got a whopper of a phishing expedition: a pleasant email, from someone I know, containing a document that looked totally for real, with the logo and even a watermark for the individual’s organization. In the document was an “Access Document” link for additional information, and the link URL looked initially like that of the organization, except of course it went on and on with hyphenated words, and was a total fake. If you click on it, you have to do a “security check” (ironic, yes — that’s the essence of Erving Goffman’s “cooling the mark out”), and then you are taken to what looks exactly like a Google log-in page, except if you look at the URL it is a truly bizarre concoction that has nothing to do with the organization or with Google, but the URL could easily be overlooked, especially at this stage of the process. Short version: be careful out there.

▰ People need to reread Fahrenheit 451. In popular memory it’s all about censorship and book-burning, but what fills the void of the destroyed books — the personalized immersive audio-visual storytelling — is even worse.

▰ My browser tabs have run amok this week, and are starting to resemble a Paul Smith textile design.

▰ The only thing not in flux is … oh, yeah, everything is in flux.

Disquiet Junto Trios: Duets Process

The nitty gritty, and a status report

Solo Output: More than 50 Disquiet Junto community musicians last week created solo pieces, as part of project 0747, with the intention for those to become duets this week and trios next week. Join in!

Mid-project Milestone: As of 7:30pm Pacific on Saturday, May 2, just over half of the 54 projects from week one (aka solos project 0747) have become duets (in project 0748), leaving exactly 26 yet to become duets. And we already have 42 duets total in project 0748 (owing to multiple solos having become more than one duet).

Second Helping: when making a duet for 0748, you can use any solo track from project 0747, even if someone else has used it already (see the spreadsheet, which is updated regularly). It’s when making a second duet that the hope is you’ll use a solo from 0747 that hasn’t yet been built on (even if between when you start and finish, someone else also makes a duet of it).

Two Timing: And yes, in the vast majority of Junto projects, it’s asked that you only upload one track in response. This trios sequence is a deviation, because the goal is for as many solos as possible to become duets — and next week for as many duets as possible to become trios.

The Christophers

Soderbergh x Holmes

I don’t often go to the movie theater these days, but when there’s a new Steven Soderbergh joint, you can bet I’m gonna do my best. I really dug The Christophers, in no small part due to the director’s renewed collaboration with the excellent composer David Holmes, who also scored Soderbergh’s Black Bag, from last year, but prior to that the two hadn’t worked since 2017’s Lucky Logan. Holmes’ second professional film score was Out of Sight, in 1998, and a few years later he famously set the tone for Ocean’s 11, and returned for the two sequels. The score in The Christophers was particularly prominent, in part because of the numerous sequences that otherwise silently surveyed various artists’ homes and studios. Also prominent: a certain considered debt to Radiohead.