Disquiet Junto Project 0586: Chance the EraserThe Assignment: Use probability to remove material from a track.March 23, 2023March 23, 2023 / By Marc Weidenbaum
Junto Profile: Klaus-Dieter Hilf, aka RabMusicLabFrom Heidelberg, Germany: Mathematics, Munich, MIDIMarch 20, 2023March 20, 2023 / By Marc Weidenbaum
Three Junto UpdatesCorrespondence, confabulation, collaborationMarch 16, 2023March 16, 2023 / By Marc Weidenbaum
Disquiet Junto Project 0585: F9The Assignment: Fast forward an old track to make a new one.March 16, 2023March 18, 2023 / By Marc Weidenbaum
Junto Profile: Jason Richardson, aka BasslingFrom Leeton, New South Wales, Australia: drafting, redrafting, and collaboratingMarch 14, 2023March 14, 2023 / By Marc Weidenbaum
Disquiet Junto Project 0584: GenerationsThe Assignment: Bridge a gap in your musical taste.March 9, 2023March 8, 2023 / By Marc Weidenbaum
Junto Profile: AethyrFrom Sheffield, England: eschewing perfection, tweaking genresMarch 6, 2023March 6, 2023 / By Marc Weidenbaum
Disquiet Junto Project 0583: Wall to WallThe Assignment: Use a building as a filter.March 2, 2023March 1, 2023 / By Marc Weidenbaum
Junto Profile: Kei Terauchi SideboardFrom San Francisco, California (and Japan): embracing contradictions, reading to composeFebruary 27, 2023March 5, 2023 / By Marc Weidenbaum