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tag: this week in sound

This Week in Sound: Sonic Domestic Abuse + Audio AI Games

+ Interpol voice database + the history of Speak & Spell + much more

An annotated clipping service

Disrupting Abuse: “Abusers — using apps on their smartphones, which are connected to the internet-enabled devices — would remotely control everyday objects in the home, sometimes to watch and listen, other times to scare or show power. Even after a partner had left the home, the devices often stayed and continued to be used to intimidate and confuse,” writes Nellie Bowles in a widely circulated New York Times article. Bowles details how “Internet of Things” gadgets have become the tools of domestic abuse. It feels like we’re well past the idea of “unintended consequences,” an overused term that has an undeservedly forgiving geewillikers quality to it (“Just some good ol’ software engineers, never meaning no harm …”). We’re deep in the territory of what you might call “blind-eye consequences,” the consequences when technologists don’t do sufficient due diligence on the impact, the mis-use, the unintended use, of their inventions.

Dino-Mite: There is a game spun off of the Jurassic World movie that is played entirely using your voice on Alexa-powered devices. “You’re following a podcaster named Janet Best who is traveling to Isla Nublar to get the story of what’s going on with the dinosaurs on the island,” writes Ben Kuchera at “It’s up to you help her make decisions about how to survive by speaking the commands into your device.”   / / /   There’s also one for Westworld, writes Alexis Nedd at “Westworld: The Maze is a voice game in which players take on the role of a park host who, like Maeve, Akecheta, and Dolores, needs to power through their programming to arrive at the center of the titular Maze and achieve consciousness.”

Spoke & Spelled: It’s coincidence, but also excellent timing that the “voice games” for Alexa spun off of Jurassic World and Westworld coincide with the 40th anniversary of the progenitor of electronic voice games: Speak & Spell. Ernie Smith takes us wayback on “The reason the Speak & Spell, despite being a primitive device by modern standards, was such a fundamental piece of technology was that it hit a masterful mix of ambition and access. It did something legitimately novel–it taught children how to spell using sound synthesis, rather than tapes or records. And it did so while still being small enough and cheap enough that picking one up in a store seemed like a reasonable thing to do.” (Via subtopes.)

AI Yay Yay: There is, of course, the underlying anxiety about the role of always-listening devices such as Alexa in our lives — a future-shock phenomemon ripe for a novel by the late Michael Crichton, who originated both the rebooted series mentioned above, Jurassic Park and Westworld. Last month, Amazon explained how a private conversation was accidentally sent to one of an Alexa user’s contacts: “As unlikely as this string of events is, we are evaluating options to make this case even less likely,” quoted by Richard Gao at

Spies Like Us: And even when our home appliances aren’t busy spying on what we say, we can be relieved that actual spies are still spying on what we say. “Last week, Interpol held a final project review of its speaker identification system, a four-year, 10 million euro project that has recently come to completion,” writes Ava Kofman in “Speaker identification works by taking samples of a known voice, capturing its unique and behavioral features, and then turning these features into an algorithmic template that’s known as a voice print or voice model.” (Via subtopes.)

Duplex Planet: And when voice AI isn’t spying on us it is, bringing us back around to Westworld, trying to sound like us. Lauren Good, at, brings us up to speed on the development at Google of Duplex, its concierge AI voice system that makes reservation phone calls: “Google is trying to give its phone-calling robot a do-over. The company is attempting to prove it has addressed some of the concerns about Duplex. And its latest pitch around transparency is coming at a time when some of its more critical use cases for AI are being seriously questioned.”

Audio Briefs: Additional news. Drip Drop: Q: Why does tap water dripping sound like that? A: Resonant oscillations of an entrapped air bubble:   / / /   The Free App: Garage Band Re-Revisited: The latest update of Apple’s Garage Band will help you learn an instrument:   / / /   Sponsor Blocker: “Tomek Rękawek, irritated by ads on the radio, created an app that mutes them. Radio Adblock uses digital signal processing to detect distinctive audio patterns that signal the beginning and end of breaks”:   / / /   Tech Support: And helps solve a very specific but annoying problem: listening to audio files you receive as text messages. (Probably especially useful when your friend’s Alexa accidentally sends you one.)

Audio Life: 1. Turns out there was nothing wrong with my Bluetooth headphones that a cable couldn’t fix.   / / /   2. This is a new hassle for me: finding my place in an audiobook I fell asleep listening to. My TV guesses pretty well when I nod off. My phone apparently doesn’t.

This was first published in the June 28, 2018, issue of the free weekly email newsletter This Week in Sound.

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This Week in Sound: Cars + Cuba + Cut Glass + Christian Marclay

+whistling on The Good Fight, and much more

An annotated clipping service.

Car and Woofer: The sounds added to electric vehicles aren’t merely for the sake of pedestrian safety, writes Chris Perkins at Road and Track: “When you’re trying to drive fast, especially at a place you’re unfamiliar with, you take all the feedback a car can give you.” Sound, as in the Jaguar I-Pace that Pace was testing, is an essential part of the driving experience. “The artificial sound gives you a great sense of speed you otherwise wouldn’t have in an electric car. The sounds might have been cheesy, but I was glad they were there.”

Mambo: First Blood Part II: The closest thing there may be to new news about the mysterious sonic assault reported by embassy workers in Cuba is a seemingly related incident in China. But as Rachel Becker writes at the Verge, sorting out what happened is hampered as much by diplomatic face-saving as by the privacy of medical reports, and potentially by bad science. Becker’s article draws from Sergio Della Sala and Roberto Cubelli’s research in Cortex, which brands the notion of a “sonic assult” as “a case of poor neuropsychology; clinically inappropriate and methodologically improper.”   / / /   Michael Hiltzik at the Los Angles Times reported similarly.   / / /   Writing at, Caroline Haskins focused on “interference of eavesdropping devices.”

Her Lowness: Women’s voices in the U.K. are lower than they were generations earlier. This register shift reflects “changing power dynamics between men and women,” according to research by Cecilia Pemberton, of the University of South Australia, and a team of researchers. A BBC article by David Robson explains that the “fundamental frequency” of women’s voices had dropped 23 Hz in recent decades. “That’s a significant, audible difference.” The voice of the Queen herself is said to have “lost some of the cut-glass vowels of her youth.” (Found via Hyperallergenic.)

Tele-Gram: Instagram is a great resource for all sorts of videos, including the sort of fine live ambient performances I track actively on YouTube. My focus on YouTube may shift, and so may yours, thanks to the debut of Instagram’s new IGTV app and initiative, per Richard Nieva at Cnet: “Videos on IGTV can also be longer than the 60-second maximum for regular Instagram videos. For IGTV, videos can run 10 minutes, though some accounts will be able to post videos that are up to an hour long.”

Fight Club: The second season ended a few weeks ago, but if you’re not watching The Good Fight, CBS’s sequel to The Good Wife, it’s highly recommended. Every episode of this legal drama is packed with wit, ingenuity (often of the meta variety), and remarkable performances. The show also has carried on The Good Wife‘s attention to sonic detail, from the soundmarks of social media to the aural choreography of urban life. The season’s penultimate episode, “Day 485” (each week jumps ahead by seven days from the previous, and takes its episode title from the number of days into the current U.S. presidential administration), ends with a character walking free of a potentially life-changing legal hassle. He is heard whistling as he walks down the street. What he is whistling is the show’s theme song.

Sounds of Science: Short bits from the annals of science.   / / /   The Vision: The role of vision in shaping “audio spatial metric representation around the body” — in other words, how sight helps us hear better:   / / /   Brain Meld: How “interpersonal neural synchronization” (INS) allows an individual to hear another individual across a packed, noisy room: (INS refers to how “brain activities from two persons covary along the time course.”)   / / /   Fashion Sense: In ever-so-vaguely related news, male peacocks can emit a sound with their celebrated plumage that makes the crest of a female “vibrate energetically”:   / / /   The Conversation: And this goes back a couple months, but related Google research involving ability for AI to detect a specific voice in a crowd:   / / /   The Meg: On the development of a Super-Oscillatory Acoustic Lens (SOAL) that “operates in the megasonic range”:   / / /   Blipverts: If the simultaneous appearance of the terms “stealth placement marketing” and “limbic lobe” in the same article intrigues (i.e., frightens) you, then read this research, which “used the representation or sound of brand placement as independent variables to test the effects of brand placement on the viewers’ discrimination and preferences, with reference to brain activity indicators”:

Audio Briefs: Additional news.   / / /   Snap Art: Christian Marclay, the acclaimed sound artist, teamed up with Snapchat, per The resulting art exhibit runs through tomorrow, June 22, at La Malmaison in Cannes, France. (Via Brian Scott of Boon Design)   / / /   Lens Flare: In related news, late last month Snapshat announced that it has a lens that “reacts to sound”:   / / /   Sound Ware: The Apple iOS software suite iWork has introduced audio recording, via As of version 4.1 of iWork, “Pages, Keynote, and Numbers have all added the ability to record audio in-app that is saved inside your document.”   / / /   Speaker Not: The “sound” category on Kickstarter continues to be overpopulated with speakers, especially Bluetooth ones:   / / /   Corporate Noise: The ambient sounds of Google Assistant and Google Home are avaialable (with a semi-hack) on Google’s new Podcasts app, via   / / /   Power Down: And these little “sleepbuds” are pricey personal white-noise devices for bedtime:

This was first published in the June 21, 2018, issue of the free weekly email newsletter This Week in Sound.

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This Week in Sound: Dementia Relief + Muted Violin +

oyster ears + mood music + the sonic weaponry that wasn't +

A lightly annotated clipping service

Sound Tonics: Up for debate in the scientific community is the extent to which listening to audio recordings (or watching videos) of loved ones might alleviate issues for individuals with dementia, per Dr. EO Ijaopo in the latest issue of Translational Psychiatry. … In health-related news, Dutch designer Marcel Wanders is creating a super-quiet (and quite beautiful) violin (shown below) for a friend whose hearing is threatened by her violin playing, per the current issue of Metropolis. I was wondering if it would help to use a MIDI violin, so the audio can be emitted from a speaker across the room, rather than directly into the player’s ear, or to perhaps have a violin where the sound comes out the bottom, so the audience hears it, but again the sound isn’t aimed at the player.

Clam Up: “Oysters can ‘hear’ the ocean even though they don’t have ears,” according to scientists at the University of Bordeaux in France, including Jean-Charles Massabuau, who used accelerometers to gauge the response of test subjects. Oysters appear to be sensitive primarily in the realm of 10 and 200 hertz (humans hear between 20 to 20,000 hertz). One result of this finding is the awareness of a broader range of sea creatures that are potentially impacted by noise pollution.

Music Moods: People’s minds wander less (if I’m reading this correctly) when listening to “happy” music than to “sad” music, according to researchers Liila Taruffi, Corinna Pehrs, Stavros Skouras, and Stefan Koelsch in a paper published this month in Scientific Reports. That’s a short summary for a long and detailed study that’s worth a read. The main takeaway: “In conclusion, we demonstrate that music modulates self-generated thought: During sad (vs. happy) music, listeners direct their attention inwards, engaging in spontaneous thoughts, which are related to the self and emotional aspects of life; during happy (vs. sad) music, listeners are more focused on the music itself and exhibit reduced mind-wandering levels.”

Sonic Weapon (Not): “The New Zealand Defence Force’s explosive ordnance disposal squad was flown to Dunedin by helicopter to carry out a controlled explosion of the cassette tape” — so goes the story of a noise musician named Dene Barnes, 44 whose recording set off a threat alert. More specifically, it was the poem accompanying the album, Street Noise, he released under the name LSD Fundraiser. He seems to be on Bandcamp (at, but that particular album doesn’t appear to be.

Kid Said, Her Said: Children are, appropriately, protected in the United States during our increasingly electronic age by various FCC regulations. Funny thing about regulations, such as those laid out in the Children’s Online Privacy Protection Act, is they aren’t always future proof. A case in point is how voice assistants function. A computer has to retain a spoken command, even briefly, in order to act on it, as Jon Fingas outlined in a brief story.

Footloose in NYC: “A nearly century-old law that turned New York bars into no-dancing zones, prevented singers like Billie Holiday and Ray Charles from performing and drew protest from Frank Sinatra, is finally set to be struck down,” writes Annie Correal in the New York Times, or as an uncredited Times headline author put it: “After 91 Years, New York Will Let Its People Boogie.” The longstanding law has made it difficult for generations of bar owners and bar-goers to manage the impulse to, you know, dance. (I grew up on Long Island, went to college in the Tri-State Area, and lived in New York City before moving to California, so I know of the hassle that this could be.) Check out this statistic before going on to read the full story: “In New York City, only 97 out of roughly 25,000 eating and drinking establishments have a cabaret license.”

Big Listener: Facebook continues to struggle to convince people it isn’t listening in on conversations, writes Adrianne Jeffries at, citing anecdotes by people who seem to only recall saying things aloud and yet still having them show up in ads served to them on the platform. The strangest related thing that’s ever happened to me was when I was seated, shall we say, in my home’s bathroom and the word “bathroom” briefly appeared — I swear — on my phone’s screen. I imagined the phone’s operating system was somehow mapping my home, and I wondered if the sound of the room might be assisting that effort. Of course, it could all just be a delusion brought on by tech-anxiety.

Text-to-Speechless: In a humorous instance of the unintended consequences of text-to-speech, a New York Times’ reader’s comment to a news story began “Zero optimism that the Democracts …” before wending quickly into peculiar gibberish: “hello hi oh you’re there are you outside,” etc., etc. The commenter eventually returned to the thread and explained, “I was composing a message using the autospeak, and a friend arrived early at my house. I had no idea all that drivel was being recorded.”

Internal Branding: You can soon get a cochlear implant designed specifically to work from its “surgically embedded sound process” in tandem with iOS devices, writes Juli Clover at Give that my relatively recent generation iPod isn’t allowed to run the latest version of iOS, I wonder what assurance (or insurance) one has regarding upgrades.

Fade Out: I read the obituaries each morning over iced coffee. It’s a simple ritual. Perhaps much ritual is simple by definition? I’ve come to realize that I never copy/paste the names of these newly dead musicians when following up on the day’s obituaries. I always type out their names when searching for particularly informative write-ups, or for examples of their recordings. I use copy/paste all the time, of course, but something about this early-morning obituary ritual has me typing out their (often, to me, unfamiliar) names in full. Perhaps this ritual form of inscription is a gesture of respect. Perhaps it’s a superstition. Perhaps I have difficulty distinguishing between the two. … Deaths of Note: RIP, Hungrarian musician Lajos Som (b. 1947), of the bands Piramis and Neoton Família. … RIP, Daniel Viglietti (b. 1939), Uruguayan singer-songwriter. … RIP, funk musician [Keith Wilder] (68?), of Heatwave. … RIP, Raúl García Zárate (b. 1931); Andean guitarist popularized “Adiós pueblo de Ayacucho.” … RIP, Juliette Cavazzi (b. 1926), “wholesome” Canadian TV figure known simply as Juliette. … RIP, Mike Hudson (61) of the punk rock band the Pagans. … RIP, Fats Domino (b. 1928), a founding father of rock and roll. … RIP, Larry Ray (b. 1954) of the Detroit band Outrageous Cherry. … RIP, Robert Guillaume (b. 1927), TV and film actor, singer (The Lion King, Guys and Dolls). … RIP, Girija Devi (b. 1929), Indian classical singer, “Queen of Thumri.” … RIP, George Young (b. 1946), Easybeats member, “Friday on My Mind” co-writer, AC/DC producer. … RIP, guitarist Scott Putesky aka Daisy Berkowitz (b. 1968), of Marilyn Manson. … RIP, Al Hurricane (b. 1936), “Godfather of New Mexico music.”

This was first published in the October 31, 2017, issue of the free weekly email newsletter This Week in Sound.

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This Week in Sound: Plasma Waves + Cymatic Art +

+ listening posts + womb tunes +

A lightly annotated clipping service.

Ring Cycle: The second season of The Expanse, the Syfy channel’s excellent (stellar?) adaptation of the James S. A. Corey novels, may have come to a close last month, but NASA is here to fill the void. Not only has the Cassini spacecraft situated itself between Saturn and its rings, it has captured audio data of the particulates therein. As Rae Paoletta reports at, the Radio and Plasma Wave Science (RPWS) instrument on Cassini (see recording above) picked up “the hits of hundreds of ring particles per second,” something of an apparent surprise to scientists back home on Earth.

Synaesthesia Loop: Over at, Heather Sparks summarizes the cymatic art of Jeff Louviere and Vanessa Brown. They took pictures of what different notes look like (see above) when stimulating “ink-black water,” and then turned those images back into sound, using the software Photosounder.

Audiophile Update: The whole notion of what “home audio” means is experiencing a continuing shift of late, as listening becomes — for better and worse — as much a subject for gadgets as producing sound: Google Home, it’s listening-enabled tech hub, now supports multiple users, by recognizing their independent voices; Amazon, in a race with Google Home, has made its AI available to chatbot developers; and in case neither of those instances raise privacy concerns for you, a lawsuit alleges that Bose wireless headphones spy on their users.

Womb Tune: An artificial womb, currently being tested on lamb fetuses, is being considered for gestating humans. As Jessica Hamzelou writes at, the parent-oriented item would allow “parents to communicate sounds to the baby and to see it with a camera.””

Sound Material: The miracle substance graphene, the world’s reported strongest material, has numerous gee-whiz applications, ranging from desalinating sea water to cleaning up radioactive waste. It also has sonic potential, according to a paper (at by M. S. Heath & D. W. Horsell. Check it out for details on thermoacoustics.

Noise Central: Three of the noisiest cities on the planet are in one country, India, according to a report in This coincided with the attempts to institute an annual “No-Horn Day” (

This first appeared, in slightly different form, in the May 2, 2017, edition of the free Disquiet “This Week in Sound”email newsletter:

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This Week in Sound: Sonic Civil Rights +

+ universal natality + doorbell financing +

A lightly annotated clipping service.

Sonic Defense: There’s a lawsuit underway in New York City bringing to the fore the legality of sound weapons, in particular the Long Range Acoustical Device (see and whether it is a threat to civil rights. John Riley’s Newsday article appears at (, reporting on bystander complaints and the city’s argument in favor of the technology.

Natal Communication: Further evidence appears in Nature’s Scientific Reports of universal commonality of non-verbal vocal sounds among human infants. This study is focused on the interpretations of infant sounds by adult parents and non-parents from varied geographic and cultural backgrounds. The research is by Verena Kersken, Klaus Zuberbühler, and Juan-Carlos Gomez.

Doorbell Bubble: Ring — formerly known as Doorbot — has raised over $100 million in new funding to further its next generation doorbell technology. In unrelated news, I’m typing this on a computer connected to the Internet via my cellphone because the ISP that provides Internet access to my home is currently experiencing an on and off DDoS attack. (Via Jared Smith.)

Home Front: Meanwhile, at, Stephen Nellis reports on domestic fault lines in the competition between Amazon and Apple in particular for “smart home” technology dominance. The philosophical differences between the companies shouldn’t be much of a surprise: “Amazon is pursuing an open-systems approach that allows quick development of many features, while Apple is taking a slower route, asserting more control over the technology in order to assure security and ease-of-use.” According to Nellis, there are roughly 250 devices “certified to work” with Amazon’s Alexa, and less than half that for Apple.

To Surveil Man: David Beer at uses The Conversation to push discussion of prevailing forms of everyday surveillance, touching on familiar aspects like social-network snooping and always-listening consumer product devices, and reporting on this: worker badges that, in a story from Chris Weller last year in, “watch and listen to their every move.” (Via George Kelly.)

What “HNOP” Means: As I’ve mentioned recently, no English-prevalent country seems to have more conspicuous concerns about noise pollution than does India. Someone at Uber took note of this, and is using noise activism to promote the company’s “ridesharing” service, reports “Uber India has tied up with the Confederation of Indian Industry (CII)’s youth wing, Yi, to promote anti-honking.” This is part of HNOP, which stands for “Horn Not OK Please.” January 25 was HNOP Day across India.

Tune Beyond: Forgive me if this is the “microdosing” straw post that breaks your newsfeed back, but Amy Maxmen reports on LSD studies at Nature, with an emphasis on how participants respond to music. Perhaps the best sentence: “Free jazz elicited substantial emotions only in those who had taken LSD without ketanserin.”

More Eno(ugh): This may devolve into he said, he said between the producer and his interviewer, but Eno has clarified his comments, mentioned here last week, in a Guardian interview. Less reported were statements Eno made to the week prior. Eno made his Guardian comment on his page. … Reggie Ugqu at shined a spotlight on the music favored by young fascists — feel free to Google it if you want (found via Robin James). … And Josh King, who was the White House director of production for presidential events from 1993 to 1997, reports in detail at on the sizable new microphone that employed by the newly sitting U.S. president: “On Inauguration Day, another transition was complete. The trusty, time-honored two-mic rig of Shure SM57s on the presidential lectern was out. The Long Neck Era had begun.” … Bandcamp is donating 100% of its share of sales on February 3 (“starting at 12:01am Pacific Time”) to the American Civil Liberties Union. It’s also highlighting music from countries at the center of current U.S. presidential action regarding travel and immigration, including Mexico, Somalia, and Yemen (

Download Lowdown: Keith Helt is doing research into the culture of netlabels, which are online labels that generally release their music for free download, with the permission and participation of the musicians they release. His Netlabel Interview Project is collecting the perspectives of the proprietors of various netlabels, including the superb Absence of Wax, Dusted Wax Kingdom, Impulsive Habitat, Vuzh Music, and Webbed Hand.

How the Turntable Turns: The vinyl revival means the revival of turntable technology. The most prominent recent addition to home consoles is the new Technics 1200. Now there is Yves Béhar’s “intelligent turntable,” which looks like the sort of thing your grandmother used to use to pull crumbs off the table after dinner, and connects your vinyl collection with your phone — via What this means, among other things, is that the object can deduce how many tracks are on an album and let you move between them. … In related news, a company called Viryl Technologies is introducing a new manner of vinyl pressing, reports Jon Fingas at

Listen to Many: Iain Emsley and David De Roure at describe how to apply sonification techniques to literature, using Hamlet as their focus — in particular to highlight variations between texts: “Playing a synchronized audio stream per text in each ear helps the listener’s brain to hear any subtle differences between two versions through use of binaural transmission.”

# Doorbell Tale: Ghost Button

Below is a lightly edited email I received about a home doorbell. I received this via email from an old friend, Daniel Miller, whom I’ve known since junior high school. His home on Long Island, outside New York City, was significantly upgraded over the past year. I posted a photo of his home’s side doorbell 27 weeks ago, according to Instagram, when it was still under construction. At the time, he told me he’d report back when the doorbell work was completed.


You asked me to let you know what was happening with my doorbell. I thought I’d wait until this was resolved and give you a complete report. However that still hasn’t happened. I am sorry I have left you hanging for so long. I’ll start from the beginning. The doorbell wasn’t working. A doorbell consists of a button that is wired to a chime. We were told we had to buy a new chime as our old one was destroyed during demolition. We bought a lovely unit that can be hardwired or can work wirelessly. It still didn’t work. The contractor said we had bought a 120v unit and that a low-voltage unit was required. A little (very little) research was done and not only did we have a low-voltage unit, but there is no other kind. Basically what happened was they forgot to keep the doorbell wiring in the wall during construction, and now that everything is sealed up and insulation is in the walls, reinstalling it is out of the question. So by stealing a part from the doorbell button we bought for the side door, they were able to get our front doorbell working wirelessly. However it sometimes chimes for apparently no reason. It happened often enough that we noticed that there was a reason: The neighbor across the street opening the trunk of her car. The saga continues.


If you have a doorbell story, or photo, to share with me, please do. I won’t share it further without your permission.

# Fade Out

Recent deaths of note.

RIP, drummer Butch Trucks (b. 1947), founding member of the Allman Brothers Band

RIP, Black Sabbath keyboardist Geoff Nicholls (b. 1948)

RIP, Henry-Louis de La Grange (b. 1924), Mahler scholar

RIP, reggae singer Ronnie Davis (b. 1950), member of the Tennors and the Itals

RIP, Chuck Stewart (1927), prolific photographer for jazz album covers

RIP, Gil Ray (b. 1956), of Game Theory and the Loud Family

RIP, early electronic music composer Richard Allan (or is it Allen?) “Dick”Robinson (93)

RIP, composer Philip Cannon (b. 1929)

RIP, film sound figure Richard Portman (b. 1934), worked on Star Wars, Harold and Maude, Paper Moon

RIP, Kraken leader and Columbian rock musician Elkin Ramírez (54)

RIP, video artist and Miami Beach arts figure Charles Recher (66)

RIP, John Wetton (b. 1949), singer for Asia, King Crimson

RIP, Masaya Nakamura (b. 1925), founder of Namco (Pac Man, Galaxian, Tekken)

RIP, James Laurence (27), half of hip-hop production duo Friendzone

This first appeared, in slightly different form, in the February 1, 2017, edition of the free Disquiet “This Week in Sound”email newsletter:

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