The three-letter term IDM, for “intelligent dance music,” is used often enough to describe a broad array of music, from Aphex Twin’s jerky ambience to Kid606’s digital acts of agitation. Another three-letter word, ECM, as is the estimable label ECM Records, run by producer Manfred Eicher, might lend itself to a more precise subset of electronic-oriented recordings — music that is compositionally open-ended, and whose deeply sedative aspirations are not technologically dependent. Drummers as fit as Joey Baron and Tony Allen likely couldn’t play two-hour equivalents of drum’n’bass if their lives depended on it; the music, with its high-wire feats of metrical aggression, pretty much requires a machine to make it happen — not that there’s anything wrong with that. However, there is a brew of quietness, of soulfulness, that is as sure to echo from Bill Frisell’s deeply digitized guitar as it is from Arvo Part’s a cappella chorus. The band Rothko makes this sort of music, and its new album, A Continual Search for Origins, with a mix of softly intoned instrumentation and documentarian field recordings, evokes a spirit of profound reflection. The field recordings were made by Rothko leader Mark Beazley, who taped various background sounds during a trip to Switzerland. In the album’s brief liner note he explains that those raw tapes became the “starting point” for a variety of instrumental settings, including percussion, sleigh bells, trumpet, guitar and much more. The first and last track feature prominent vocals by Caroline Ross, who sings plaintively over the slow tide of music. Nine tracks in between overlay delicate compositions on top of sounds of rain, wind and, again, according to Beazley’s note, “the sound of just sitting quietly.” The album was released on the label Too Pure on June 4, 2002.
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james: "since when did aphex tell the truth tho "
Stomp Box: "“the audience for cassettes has expanded in recent years” Is this true? sounds awful. Vinyl..."
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5 Most Recent Posts
• October 13, 2016: This day marks the start of the 250th weekly Disquiet Junto project.
• November 16, 2016: I'll be sharing the mic at Adobe Books in San Francisco with my fellow 33 1/3 author Evie Nagy for an evening hosted, from 7pm to 10pm, by Marc Kate (facebook.com).
• December 1, 2016: A likely speaking engagement. Details to come.
• December 13, 2016: This day marks the 20th anniversary of Disquiet.com.
• January 5, 2017: This day marks the 5th anniversary of the Disquiet Junto.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects: • 0264 / Time Travel / Record a piece of music that plays with the perception of time. • 0263 / Overture Edit / Produce an overture to an existing album. • 0262 / Ice Code / Record the sound of ice in a glass and make something of it. • 0261 / Audio Journal 2016 / Create a sonic diary of the past year with a dozen five-second segments. • 0260 / Tone Fade / An exercise in when a sound ends.
... And there is a complete list of projects at disquiet.com/junto.
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