The three-letter term IDM, for “intelligent dance music,” is used often enough to describe a broad array of music, from Aphex Twin’s jerky ambience to Kid606’s digital acts of agitation. Another three-letter word, ECM, as is the estimable label ECM Records, run by producer Manfred Eicher, might lend itself to a more precise subset of electronic-oriented recordings — music that is compositionally open-ended, and whose deeply sedative aspirations are not technologically dependent. Drummers as fit as Joey Baron and Tony Allen likely couldn’t play two-hour equivalents of drum’n’bass if their lives depended on it; the music, with its high-wire feats of metrical aggression, pretty much requires a machine to make it happen — not that there’s anything wrong with that. However, there is a brew of quietness, of soulfulness, that is as sure to echo from Bill Frisell’s deeply digitized guitar as it is from Arvo Part’s a cappella chorus. The band Rothko makes this sort of music, and its new album, A Continual Search for Origins, with a mix of softly intoned instrumentation and documentarian field recordings, evokes a spirit of profound reflection. The field recordings were made by Rothko leader Mark Beazley, who taped various background sounds during a trip to Switzerland. In the album’s brief liner note he explains that those raw tapes became the “starting point” for a variety of instrumental settings, including percussion, sleigh bells, trumpet, guitar and much more. The first and last track feature prominent vocals by Caroline Ross, who sings plaintively over the slow tide of music. Nine tracks in between overlay delicate compositions on top of sounds of rain, wind and, again, according to Beazley’s note, “the sound of just sitting quietly.” The album was released on the label Too Pure on June 4, 2002.
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Mark Rushton: "I was on N Linn St just a couple days ago in Iowa City… And I just bought the EP at Bandcamp. "
Dave Dorgan: "Was it an ironic hat tip to the theme of this weeks project, or just a coincidence that the 567 and..."
Roger Rohrbach: "Kit Watkins has a piece with the same title: https://youtu.be/yW_n_PLi63Y. "
Yhancik: "Really nice read! MP3 (and similar codecs) does have its own “sound”, although how perceptible..."
AlbumMike: "“Charest: He really liked Stomp, and he wanted something a bit similar. ” I think that Stomp..."
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• November 9, 2015: A short essay I wrote ("Bassel K") will appear in the book The Cost of Freedom, dedicated to Bassel Khartabil, who's been detained in Syria since March 15, 2012. Details at costoffreedom.cc.
• November 21, 2015: Start of semi-annual social-media absentia (through January 4, 2016).
• Early December 2015: Jeff Kolar's album Doorbells will be released by the label Panospria. I wrote the liner notes. In the meanwhile you can listen to his previous album, Smoke Detector.
• December 13, 2015: The 19th anniversary of Disquiet.com.
• January 4, 2016: End of semi-annual social-media absentia (started November 21, 2015).
• February 3, 2016: First class session of the 15-week course I teach at the San Francisco Academy of Art on the role of sound in the media landscape.
• May 18, 2016: Final class session of the 15-week course I teach at the San Francisco Academy of Art on the role of sound in the media landscape.
• Ongoing: The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: soundcloud.com.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, published as part of the 33 1/3 series, an imprint of Bloomsbury, is now in its second printing. It can be purchased at amazon.com, among other places.
disquiet juntoThe Disquiet Junto is an ongoing weekly collaborative music-making space in which restraints are used as a springboard for creativity. It's housed at soundcloud.com. Subscribe to the announcement list at tinyletter.com/disquiet-junto. There is an FAQ. ... These are the 5 most recent weekly projects: • 0215: Make a short track with just pin-prick audio. • 0214: Bring to the fore the distinction between two specific microtones. • 0213: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence. • 0212: Make music intended to attract male mosquitoes. • 0211: Shift between the midnight sounds both within and beyond a physical structure, preferably your home.
... And there is a complete list of projects at disquiet.com/junto.
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