The three-letter term IDM, for “intelligent dance music,” is used often enough to describe a broad array of music, from Aphex Twin’s jerky ambience to Kid606’s digital acts of agitation. Another three-letter word, ECM, as is the estimable label ECM Records, run by producer Manfred Eicher, might lend itself to a more precise subset of electronic-oriented recordings — music that is compositionally open-ended, and whose deeply sedative aspirations are not technologically dependent. Drummers as fit as Joey Baron and Tony Allen likely couldn’t play two-hour equivalents of drum’n’bass if their lives depended on it; the music, with its high-wire feats of metrical aggression, pretty much requires a machine to make it happen — not that there’s anything wrong with that. However, there is a brew of quietness, of soulfulness, that is as sure to echo from Bill Frisell’s deeply digitized guitar as it is from Arvo Part’s a cappella chorus. The band Rothko makes this sort of music, and its new album, A Continual Search for Origins, with a mix of softly intoned instrumentation and documentarian field recordings, evokes a spirit of profound reflection. The field recordings were made by Rothko leader Mark Beazley, who taped various background sounds during a trip to Switzerland. In the album’s brief liner note he explains that those raw tapes became the “starting point” for a variety of instrumental settings, including percussion, sleigh bells, trumpet, guitar and much more. The first and last track feature prominent vocals by Caroline Ross, who sings plaintively over the slow tide of music. Nine tracks in between overlay delicate compositions on top of sounds of rain, wind and, again, according to Beazley’s note, “the sound of just sitting quietly.” The album was released on the label Too Pure on June 4, 2002.
Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media
• Autumn, 2019: I'll have a new piece in The Wire.
• December 13, 2019: This day marks the 23rd anniversary of Disquiet.com.
• January 7, 2020: This day marks the 8th anniversary of the Disquiet Junto.
• March 2020: A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the forthcoming book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen.
• There are entries on the Disquiet Junto in the forthcoming book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell.
• The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.
• My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).
Most Recent Posts
Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.
• 0421 / Marquee Ghosts / The Assignment: What sounds haunt a discarded movie theater in the middle of the night?
• 0420 / Luna Tick / The Assignment: Make music that proceeds according to the phases of the moon, in celebration of Lunar New Year.
• 0419 / Dischoir / The Assignment: Make music from 100+ vocal samples of held syllables by members of the Disquiet Junto.
• 0418 / Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it.
• 0417 / Changes Tracker / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.
And there is a complete list of past projects, 421 consecutive weeks to date.
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Most Recent Comments
michael: "The opening track on his album At First Light is quite a fave. "
Nathan Richards: "Great Post ! "
Patrick Glynn: "Hello, I’m looking forward to hearing what you’ve been listening to. Thanks, Patrick "
Michael Mennell: "ok, glad I could help. Do you have a link to that MicroFreak video btw? I had posted it to our..."
Michael: "Yesterday, this post had a video (mistakenly?) linked at the top featuring a MicroFreak. What was that?..."